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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
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What defines the quality of this Gene Davis print?
This reproduction utilizes direct-to-substrate printing on 3mm Aluminum DIBOND®. This museum-grade technique ensures vivid color saturation and a matte finish, making it a definitive choice for collectors of fine art prints.
How does the brushed silver finish affect the artwork?
The horizontal grain of the brushed silver aluminum adds a metallic luster to unprinted areas. This creates a contemporary, high-end aesthetic where the material becomes part of the art's visual narrative.
Is the hanging hardware included with the print?
Yes, every Gene Davis aluminum print arrives with a professional hanging kit. The specific hardware varies by fulfillment country to ensure the most secure and aesthetically pleasing installation for your specific region.
What are the archival properties of this aluminum print?
Aluminum DIBOND® is exceptionally durable and resistant to environmental factors. The UV-resistant inks and rigid 3mm base ensure that the colors remain vibrant and the structure stays perfectly flat for decades.
How is the print shipped to ensure safety?
RedKalion utilizes specialized, high-durability packaging designed specifically for large-format aluminum art. Each piece is meticulously protected to ensure it arrives in pristine, museum-ready condition at your doorstep.
What is the significance of "Blue Broad Jump" in Gene Davis's oeuvre?
Created in 1960, "Blue Broad Jump" represents Davis's transition into complex stripe intervals. It showcases his ability to use color as a temporal element, guiding the viewer's eye across the canvas like a musical score.
Why was the 1960 period crucial for the Washington Color School?
1960 was a pivotal year for the Washington Color School, as artists like Gene Davis moved away from Abstract Expressionism toward a more controlled, geometric exploration of pure color and flat surfaces.