• UNTITLED 1960 1 N2 - Milton Resnick 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

UNTITLED 1960 1 N2 - Milton Resnick 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

UNTITLED 1960 1 N2 - Milton Resnick 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
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Untitled 1960 1 N2 by Milton Resnick: A Monumental Abstract Expressionist Print

Immerse yourself in the raw, gestural power of mid-century abstraction with this museum-quality framed art print of Milton Resnick's Untitled 1960 1 N2. Created at the height of the Abstract Expressionist movement, this work exemplifies Resnick's mastery of thick, impasto-laden surfaces and emotive, monochromatic exploration. The 70x100 cm (28x40 inches) scale commands attention, transforming any wall into a gallery of profound artistic dialogue.

RedKalion presents this archival reproduction on premium 250 gsm (110 lb) matte, uncoated paper—a natural white, FSC-certified substrate chosen for its exceptional fidelity to Resnick's textured brushwork. The print is elegantly housed in a responsibly sourced black wooden frame, crafted from oak and ash, with a substantial 20mm (0.79") profile that enhances its presence. Shatterproof plexiglass ensures lasting protection, while the included hanging kit allows for immediate display. This is not merely a decoration; it is a durable, ready-to-hang testament to one of America's most significant artistic eras.

Art Historical Insight: Resnick, a peer of de Kooning and Pollock, developed a unique 'all-over' painting technique in the late 1950s and 1960s, building dense, tactile layers of paint that often obscured the canvas entirely. Untitled 1960 1 N2 captures this pivotal period, where the physicality of the medium itself becomes the subject, inviting viewers into a contemplative, almost meditative engagement with form and materiality.

  • Frame: Black wooden frame (oak and ash), 20mm thick and wide.
  • Print: 70x100 cm / 28x40 inches on 250 gsm matte archival paper.
  • Protection: Shatterproof plexiglass front.
  • Sustainability: FSC-certified or equivalent materials.
  • Ready-to-Hang: Includes hanging hardware.

Elevate your space with an archival masterpiece that endures, bringing the legacy of Abstract Expressionism into your home or office with uncompromising quality and historical authenticity.

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What are the dimensions of this Milton Resnick framed art print?

This fine art print measures 70x100 cm (28x40 inches) and is framed in a black wooden frame with a 20mm (0.79") profile, making it a substantial, ready-to-hang piece ideal for prominent wall spaces.

What type of paper is used for this museum-quality reproduction?

We use 250 gsm (110 lb) matte, uncoated, natural white archival paper, which is FSC-certified for sustainability and ensures optimal color accuracy and texture for Resnick's abstract expressionist work.

How is the print protected in the frame?

The print is safeguarded by shatterproof plexiglass, providing durable, clear protection against damage while maintaining the visual integrity of this archival art print.

Is the frame included and what are its specifications?

Yes, the frame is included—a responsibly sourced black wooden frame made from oak and ash, 20mm thick and wide, with a hanging kit for immediate display as a ready-to-hang framed art print.

How long will this archival print last without fading?

Printed on archival museum-quality paper with stable pigments, this reproduction is designed to resist fading for decades when displayed away from direct sunlight, ensuring lasting enjoyment.

What is the historical significance of Milton Resnick's Untitled 1960 1 N2?

Created in 1960, this work represents Resnick's peak in Abstract Expressionism, showcasing his thick, impasto technique that emphasizes the physicality of paint, reflecting the movement's focus on emotion and material exploration.

Can you describe the artistic style of this abstract expressionist print?

This print features Resnick's characteristic 'all-over' composition with dense, monochromatic brushwork, capturing the raw, gestural energy and textured surfaces that define his contributions to mid-century American art.