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RedKalion

ABSTRAKTES BILD ABSTRACT PAINTING 1976 - Gerhard Richter 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

ABSTRAKTES BILD ABSTRACT PAINTING 1976 - Gerhard Richter 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

Обичайна цена $449.99 USD
Обичайна цена $999.99 USD Цена при разпродажба $449.99 USD
Разпродажба Изчерпано
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Elevate Your Space with Gerhard Richter's 1976 Masterpiece

Experience the profound depth of Gerhard Richter's Abstraktes Bild (1976), a pivotal work marking the artist's definitive transition into pure, systematic abstraction. This premium framed art print captures the complex interplay of color and gesture that defined Richter's early abstract phase, offering a sophisticated focal point for any modern interior. As an elite curator of museum-quality reproductions, RedKalion presents this work with unparalleled fidelity to the original's textural nuances.

Art Historical Significance

By 1976, Richter began to move away from his 'Photo Paintings' to explore the visual language of non-representation. These early Abstrakte Bilder are characterized by a deliberate layering process, where the artist explores the tension between chance and control. Unlike his later squeegee works, this 1976 piece showcases refined brushwork and scraping techniques that create a sense of three-dimensional space within a two-dimensional plane, making it a cornerstone of 20th-century contemporary art.

Museum-Grade Physical Quality

Every RedKalion print is an investment in enduring beauty. This archival masterpiece is printed on 250 gsm (110 lb) natural white paper, featuring a matte, uncoated finish that eliminates glare while preserving the vibrancy of the pigments. The work is encased in a responsibly sourced black wooden frame, crafted from premium oak or ash. Measuring 20mm (0.79") in thickness, the frame provides a robust, contemporary profile that surpasses standard gallery frames in both durability and aesthetic presence.

  • Archival Longevity: 0.29 mm (11.4 mils) thick paper ensures museum-grade stability.
  • Crystal Clear Protection: High-grade shatterproof plexiglass protects the artwork from environmental damage.
  • Ready to Hang: Arrives with a professional hanging kit included for effortless installation.
  • Sustainability: Printed on FSC-certified materials, supporting responsible forestry.
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What are the specifications of the paper used for this Richter print?

We use 250 gsm (110 lb) museum-quality archival paper. It is 0.29 mm thick, matte, and uncoated with a natural white finish to ensure long-lasting color brilliance and a premium tactile feel.

How is the frame constructed and what are its dimensions?

The frame is made from responsibly sourced black-painted oak or ash wood. It features a modern 20mm (0.79") thickness and width, offering a more substantial and premium look than standard 14mm frames.

Is the artwork protected against breakage during shipping or on the wall?

Yes, we use shatterproof plexiglass instead of traditional glass. This provides superior protection for the print while remaining lightweight and safe for various wall types, ensuring it arrives in perfect condition.

Does the framed print arrive ready to hang?

Absolutely. Every framed art print from RedKalion includes a professional hanging kit, allowing you to elevate your space immediately upon delivery without the need for additional hardware.

Is this product environmentally friendly?

Yes, we prioritize sustainability by using FSC-certified paper and frame materials, or equivalent local certifications, ensuring that your fine art investment supports responsible environmental practices.

What is the significance of the year 1976 in Gerhard Richter's career?

1976 marks the beginning of Richter's systematic exploration of Abstraktes Bild. It represents his shift from photo-realism to a process-oriented abstract style that would eventually define his status as a global art icon.

How does the 1976 abstract style differ from Richter's later work?

In 1976, Richter was utilizing more traditional brush techniques and localized scraping. This predates his wide-scale use of the giant squeegee, resulting in more intricate, layered compositions with a distinct sense of depth.