• Berlin Blues 4 - 1965 By William Scott Pack of 10 Post Cards | William Scott Post Cards | A6 (10.5 x 14.8 cm) - 4.1 x 5.8 inches
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RedKalion

Berlin Blues 4 - 1965 By William Scott Pack of 10 Post Cards | William Scott Post Cards | A6 (10.5 x 14.8 cm) - 4.1 x 5.8 inches

Berlin Blues 4 - 1965 By William Scott Pack of 10 Post Cards | William Scott Post Cards | A6 (10.5 x 14.8 cm) - 4.1 x 5.8 inches

$35.99 USD
$61.49 USD $35.99 USD
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Elevate Your Correspondence with William Scott’s 'Berlin Blues 4 - 1965'

Experience the sophisticated minimalism of British Modernism with this exclusive pack of 10 fine art postcards featuring William Scott’s Berlin Blues 4 (1965). As a central figure in 20th-century abstraction, Scott’s work from this period represents a pivotal transition. Created following his residency in Berlin under a Ford Foundation grant, the Berlin Blues series explores the delicate balance between form, space, and a restricted yet profound palette of blues. This particular piece captures the artist's shift toward flatter, more geometric shapes while retaining a sense of organic placement.

Museum-Quality Reproductions by RedKalion

At RedKalion, we believe that even the smallest format deserves the highest standard of craftsmanship. These A6 postcards are produced using our proprietary 12-color fine art printing technology. Unlike standard 4-color inkjet processes, our method ensures that the deep, resonant tones of Scott’s palette are reproduced with absolute fidelity and stunning depth. Each card features a smooth matte finish that eliminates glare, allowing the viewer to appreciate the subtle nuances of the composition.

Premium Specifications for the Discerning Collector

  • Pack of 10: A curated set of flat postcards, perfect for personal notes or as a miniature gallery display.
  • Archival Grade Paper: Printed on 200 gsm (80 lb) FSC-certified paper with a thickness of 0.26 mm (10.3 mils), ensuring a premium, substantial feel.
  • Sustainable Excellence: Every card is printed on demand using environmentally conscious materials, reflecting RedKalion’s commitment to sustainable luxury.
  • Dimensions: A6 size (10.5 x 14.8 cm / 4.1 x 5.8 inches), an ideal format for international mailing or framing.

Whether you are a scholar of British abstraction or a lover of mid-century aesthetics, these postcards offer a tangible piece of art history. Transform a simple message into a meaningful exchange with an archival masterpiece that endures.

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What makes the 12-color printing process superior for William Scott’s work?

Our 12-color technology captures the specific tonal nuances and deep blue gradients of William Scott’s Berlin series, providing color accuracy and depth that standard 4-color prints simply cannot replicate.

What is the texture and weight of the postcards?

These cards are printed on 200 gsm (80 lb) archival-grade paper with a smooth matte finish, offering a refined, glare-free aesthetic and a sturdy, high-quality tactile feel.

Are these postcards environmentally friendly?

Yes. RedKalion utilizes FSC-certified paper and eco-conscious printing methods. We print on demand to minimize waste, ensuring no unnecessary surplus is created.

How long will these fine art prints last without fading?

Using archival-quality inks and acid-free paper, our prints are designed for longevity. The 12-color process ensures color vibrancy remains stable for decades when kept in standard display conditions.

Is there a minimum order requirement for these cards?

No. These 'Berlin Blues 4' postcard packs are printed on demand with no minimum order requirements, allowing for flexible curation for collectors and enthusiasts alike.

Who was William Scott and why is 'Berlin Blues 4' significant?

William Scott was a leading British modernist. 'Berlin Blues 4' (1965) is a masterpiece of late abstraction, reflecting his move toward minimalist, geometric forms inspired by his time in Berlin.

What inspired the color palette of the Berlin Blues series?

The series was inspired by Scott's residency in West Berlin (1963-64). He utilized specific blue pigments to explore spatial relationships and emotional restraint, moving away from his earlier still-life themes.