• Black Hills with Cedar - Georgia OKeeffe 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

Black Hills with Cedar - Georgia OKeeffe 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

Black Hills with Cedar - Georgia OKeeffe 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
Разпродажба Изчерпано

Bring the Serenity of the Southwest into Your Home with Georgia O'Keeffe’s Black Hills with Cedar

Capture the essence of American Modernism with this museum-quality reproduction of Georgia O’Keeffe’s Black Hills with Cedar. Known as the 'Mother of American Modernism,' O’Keeffe had a profound ability to distill the complex geography of the New Mexico landscape into rhythmic, undulating forms. This particular piece showcases her mastery of color and shadow, where the deep, velvety tones of the hills contrast beautifully with the resilient silhouette of the cedar tree.

At RedKalion, we curate our prints to meet the exacting standards of art collectors. This 70x100 cm (28x40 inches) framed art print is more than a decorative piece; it is an archival tribute to O’Keeffe’s vision. Printed on 250 gsm (110 lb) natural white museum-quality paper, the matte finish ensures a glare-free experience, allowing the subtle tonal gradations of the desert landscape to remain the focus under any lighting condition.

Exquisite Craftsmanship and Sustainable Materials

To honor the timeless nature of this artwork, we house it in a premium black wooden frame crafted from responsibly sourced oak and ash. Unlike standard commercial frames, ours features a sophisticated 20mm (0.79") profile, providing a substantial, galleried presence on your wall. Your investment is protected by high-clarity, shatterproof plexiglass, ensuring the print remains pristine for generations to come.

  • Fine Art Print: Archival-grade reproduction with deep color accuracy.
  • Premium Framing: 20mm thick black wood frame for a modern, elegant look.
  • Archival Paper: 250 gsm (110 lb) matte paper, FSC-certified for sustainability.
  • Ready-to-Hang: Includes a professional hanging kit for immediate installation.
  • Longevity: Acid-free materials prevent yellowing or fading over time.

Elevate your interior space with a piece that embodies the spiritual and organic power of the New Mexican desert. This Black Hills with Cedar framed print is a testament to RedKalion’s commitment to bringing world-class gallery art into the private residence.

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What materials are used for this Georgia O'Keeffe framed print?

We use archival-grade 250 gsm (110 lb) natural white paper with a matte finish. The frame is constructed from responsibly sourced (FSC-certified) oak and ash wood, ensuring a premium feel and environmental responsibility.

How thick is the black wooden frame?

The frame measures 20mm (0.79") in both thickness and width. This profile is wider than standard 14mm frames, offering a more robust and professional gallery aesthetic for your 70x100 cm print.

Is the paper used for this reproduction archival?

Yes, the 250 gsm paper is museum-quality, uncoated, and acid-free. This ensures that your Black Hills with Cedar print will not yellow or degrade, maintaining its vibrant colors for decades.

Does the artwork arrive ready for wall mounting?

Absolutely. Your framed print includes a pre-installed hanging kit. It is designed to be ready-to-hang immediately upon arrival, allowing you to transform your space without extra hardware.

How is the print protected from damage?

We use shatterproof plexiglass to protect the artwork. This material provides the clarity of glass while being much more durable and safe for shipping and high-traffic home environments.

What inspired Georgia O'Keeffe to paint the Black Hills?

O'Keeffe was captivated by the 'Black Place' in New Mexico, a region of dark, weathered hills. She sought to capture the rhythmic, almost sculptural quality of the earth and its stark isolation.

When did Georgia O'Keeffe create Black Hills with Cedar?

O'Keeffe created this work in the early 1940s, during a period when she was deeply immersed in the landscape of Ghost Ranch and the surrounding New Mexican desert.