What materials are used for the Milton Resnick Cargo print?
We use 250 gsm (110 lb) archival museum-quality paper. This heavy-weight, natural white paper features a matte, uncoated finish to ensure longevity and a premium, glare-free aesthetic for your Milton Resnick reproduction.
Is the black wooden frame sustainably sourced?
Yes, RedKalion uses FSC-certified or equivalent responsibly sourced oak and ash wood. The black wooden frame is 20mm thick and wide, providing superior stability and a more robust look than standard frames.
How is the artwork protected during shipping and display?
Each framed print is protected by shatterproof plexiglass, ensuring your art arrives safely and remains protected from dust and damage. We include a professional hanging kit, making the piece ready-to-hang upon arrival.
Will the colors of Cargo 1957 fade over time?
No, our use of archival-grade materials and acid-free museum paper ensures that the pigments remain vibrant and the paper does not yellow, preserving the integrity of Resnick’s work for decades.
How does the 20mm frame compare to standard art frames?
Our 20mm (0.79") frame is significantly wider and deeper than the industry-standard 14mm frame. This provides a more luxurious, gallery-like presence on your wall, reflecting the premium quality of the RedKalion collection.
What is the significance of the year 1957 for Milton Resnick?
1957 was a transformative year for Resnick. During this period, he began exploring the 'all-over' composition style, moving away from central focal points to create dense, textured canvases like Cargo that enveloped the viewer.
Was Milton Resnick part of the Abstract Expressionist movement?
Yes, Milton Resnick was a central figure in the Second Generation of the New York School. He was a contemporary of Willem de Kooning and Pollock, known for his thick impasto and commitment to pure abstraction.