• 7R15 Where RRyoanji - 1983 - John Cage 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

7R15 Where RRyoanji - 1983 - John Cage 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

7R15 Where RRyoanji - 1983 - John Cage 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
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7R15 Where R=Ryoanji (1983) by John Cage: A Masterpiece of Zen Minimalist Art

Elevate your interior with the profound tranquility of 7R15 Where R=Ryoanji, a seminal work by the visionary composer and artist John Cage. Created in 1983, this piece is part of Cage’s celebrated series inspired by the Zen rock garden of Ryoan-ji in Kyoto. Using chance operations—a hallmark of his conceptual philosophy—Cage meticulously traced the outlines of stones, translating the rhythmic silence of Japanese gardening into a visual language of delicate, overlapping arcs.

This museum-quality reproduction captures every subtle nuance of Cage’s original pencil work on our premium, natural white archival paper. The large 70x100 cm (28x40 inches) format provides a commanding presence, allowing the interplay of negative space and rhythmic lines to transform any room into a sanctuary of contemplative modernism. Each print is a testament to the intersection of avant-garde music theory and fine art, making it an essential acquisition for collectors of 20th-century conceptualism.

The RedKalion Standard of Excellence

At RedKalion, we curate more than just prints; we provide archival-grade legacies. This framed art print is crafted to the highest standards of the fine art industry:

  • Archival Museum-Quality Paper: Printed on 250 gsm (110 lb) matte, uncoated paper with a thickness of 0.29 mm, ensuring longevity and a rich, tactile finish.
  • Premium Framing: Encased in a sophisticated Black Wooden Frame made from responsibly sourced ash wood. The 20mm (0.79") profile offers a deeper, more substantial aesthetic than standard frames.
  • Protective Glazing: Features shatterproof plexiglass to shield the artwork from UV rays and physical damage while maintaining crystal-clear visibility.
  • Sustainable Craftsmanship: We utilize FSC-certified materials, ensuring your investment in art is also an investment in the environment.
  • Ready to Hang: Arrives with a professional hanging kit, allowing you to install this masterpiece immediately upon arrival.
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What materials are used for this John Cage fine art print?

We use 250 gsm (110 lb) natural white, archival museum-quality paper. This uncoated matte paper ensures the 7R15 Where Ryoanji reproduction maintains its integrity and color depth for decades without yellowing.

What are the specifications of the black wooden frame?

The frame is crafted from responsibly sourced ash wood, measuring 20mm (0.79") in both thickness and width. This provides a premium, sturdy profile that is significantly more substantial than common 14mm alternatives.

Is the artwork protected from damage and fading?

Yes, each print is protected by high-quality shatterproof plexiglass. This provides the clarity of glass with superior durability, shielding your John Cage artwork from dust and environmental wear.

Is the packaging and paper environmentally friendly?

Absolutely. RedKalion uses FSC-certified materials or local equivalents, ensuring that the wood for the frames and the paper for the prints are sourced from sustainably managed forests.

How do I hang this 70x100 cm framed print?

Your artwork arrives ready-to-hang. We include a dedicated hanging kit designed for the weight and dimensions of the 70x100 cm (28x40 inches) frame, ensuring a secure and effortless installation.

What is the significance of the title 'Where R=Ryoanji'?

The title refers to the Ryoan-ji Zen temple in Kyoto. John Cage used the 'R' to represent the garden's stones. The series explores chance and silence, mirroring the garden's 15 stones that are never all visible at once.

How did John Cage create the 1983 Ryoanji drawings?

Cage employed the I Ching (Book of Changes) to determine the placement and number of stone tracings on the paper. This process removed the artist's ego, allowing the 'silence' of the paper to speak through chance.