• ABSTRACT IN WHITE GREY AND OCHRE 1949 - Victor Pasmore 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

ABSTRACT IN WHITE GREY AND OCHRE 1949 - Victor Pasmore 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

ABSTRACT IN WHITE GREY AND OCHRE 1949 - Victor Pasmore 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
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Experience the British Avant-Garde: Victor Pasmore’s Abstract in White Grey and Ochre (1949)

Victor Pasmore’s Abstract in White Grey and Ochre (1949) represents a seismic shift in 20th-century British art. This museum-quality reproduction captures the precise moment when Pasmore abandoned representational painting for the rigorous clarity of geometric abstraction. At RedKalion, we curate this masterpiece to reflect the artist’s original intent, ensuring the delicate balance of form and palette is preserved for the modern collector.

Authentic Materials for the Discerning Eye

Every print is produced on 250 gsm (110 lb) archival museum-quality paper. This natural white, matte-finished substrate is specifically selected for its 0.29 mm (11.4 mils) thickness, providing a substantial, tactile feel that honors the architectural nature of Pasmore's composition. The uncoated surface ensures that the soft ochres and structural greys are viewed without distracting reflections.

Precision Framing and Sustainability

To complement this mid-century modern aesthetic, the artwork is encased in a responsibly sourced black wooden frame made from oak and ash. Our frames feature a 20mm (0.79") profile—providing a bolder, more authoritative presence than standard gallery frames. Each piece is protected by shatterproof plexiglass and arrives ready-to-hang with a professional-grade kit included.

  • Artist: Victor Pasmore (1949)
  • Paper: FSC-certified, archival natural white paper
  • Frame: 20mm thick black-finished oak and ash
  • Longevity: Acid-free materials designed to resist yellowing

Elevate your interior with a piece of art history. This Victor Pasmore fine art print is more than a decoration; it is an archival masterpiece that endures, offering a sophisticated focal point for any minimalist or contemporary space.

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What makes the paper quality suitable for fine art?

We use 250 gsm (110 lb) natural white, archival-grade paper. This heavyweight, acid-free material ensures your Victor Pasmore print maintains its color integrity and structural rigidity for decades without yellowing.

How is the black wooden frame constructed?

The frame is crafted from responsibly sourced (FSC-certified) oak and ash. It features a 20mm (0.79") thickness and width, offering a premium, robust profile compared to standard 14mm frames.

Does the print arrive ready to be displayed?

Yes. Every framed art print includes a high-quality hanging kit and is pre-assembled. Your Pasmore reproduction is ready to hang directly on the wall upon arrival.

Is the artwork protected against accidental damage?

Absolutely. We utilize shatterproof, high-clarity plexiglass to protect the print surface. This provides the aesthetic of glass while offering superior durability and safety during shipping and home display.

What are the shipping and sustainability standards?

We prioritize the environment by using FSC-certified wood and paper. Prints are secured in protective packaging to ensure they arrive in pristine condition, ready for your gallery wall.

Why is 1949 considered a pivotal year for Victor Pasmore?

1949 marks Pasmore's definitive transition from figurative art to pure abstraction. This piece represents the beginning of his revolutionary work with the British Constructionist movement.

What does the color palette represent in this work?

The white, grey, and ochre palette is characteristic of British Modernism, focusing on spatial relationships and the harmony of muted, organic tones rather than representative imagery.