• FIRST TIME PAINTING 1961 - Robert Rauschenberg 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

FIRST TIME PAINTING 1961 - Robert Rauschenberg 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

FIRST TIME PAINTING 1961 - Robert Rauschenberg 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
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First Time Painting 1961 - Robert Rauschenberg: A Ready-to-Hang Framed Art Print

Introducing First Time Painting 1961 by Robert Rauschenberg, a museum-quality reproduction that captures the raw energy and experimental spirit of this iconic work. This fine art print is meticulously crafted on archival, FSC-certified paper and presented in a sophisticated black wooden frame, ready to elevate any contemporary space.

Art Historical Significance

Created in 1961, First Time Painting exemplifies Rauschenberg's groundbreaking approach during the height of the Neo-Dada and Pop Art movements. This piece challenges traditional painting conventions by incorporating everyday objects and gestural brushwork, blurring the lines between art and life. Rauschenberg's technique of combining disparate elements—paint, collage, and found materials—reflects his belief that "painting relates to both art and life," making this work a pivotal moment in 20th-century art history.

Product Specifications

This framed art print is designed for both aesthetic impact and lasting durability:

  • Frame: Crafted from responsibly sourced oak and ash wood, the black wooden frame measures 20mm (0.79") thick and wide, providing a bold, modern profile that enhances the artwork's presence.
  • Print: The reproduction is printed on 250 gsm (110 lb) matte, uncoated, natural white archival museum-quality paper with a thickness of 0.29 mm (11.4 mils), ensuring vivid color fidelity and texture.
  • Protection: Shatterproof plexiglass safeguards the print from dust and damage while maintaining clarity.
  • Convenience: Includes a hanging kit, making it ready-to-hang directly on your wall upon arrival.

At RedKalion, we specialize in museum-quality reproductions that honor the original artist's vision. Our commitment to sustainable materials and archival standards ensures that this piece remains a timeless addition to your collection. Elevate your space with an archival masterpiece that endures, backed by our expertise in fine art curation.

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What are the dimensions of this framed Robert Rauschenberg print?

The framed art print measures 70x100 cm (28x40 inches), with a black wooden frame that is 20mm (0.79") thick and wide, providing a bold, modern profile for this museum-quality reproduction.

What type of paper is used for this fine art print?

We use 250 gsm (110 lb) matte, uncoated, natural white archival museum-quality paper with a thickness of 0.29 mm (11.4 mils), ensuring durability and vibrant color reproduction for your framed art print.

Is this print ready to hang upon delivery?

Yes, this ready-to-hang framed art print includes a hanging kit, allowing you to display it directly on your wall without additional setup, perfect for a hassle-free installation.

How does the frame protect the artwork?

The frame features shatterproof plexiglass that safeguards the print from dust, scratches, and damage, while the responsibly sourced oak and ash wood construction ensures long-lasting protection for your archival masterpiece.

Is the paper environmentally sustainable?

Yes, we use FSC-certified materials or equivalent for our sustainable paper, aligning with RedKalion's commitment to eco-friendly practices in producing museum-quality reproductions.

What is the historical significance of First Time Painting 1961?

First Time Painting 1961 is a key work from Robert Rauschenberg's Neo-Dada period, blending painting, collage, and found objects to challenge art conventions and influence Pop Art, making it a pivotal piece in 20th-century art history.

How does Rauschenberg's technique in this artwork reflect his artistic philosophy?

Rauschenberg's technique in First Time Painting combines gestural brushwork with everyday materials, embodying his belief that "painting relates to both art and life," showcasing his experimental approach to blurring boundaries in fine art.