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RedKalion

#21 Saturday October 17, 1964 Fresno - 1964 - William Saroyan Acrylic Print - 70x100 cm / 28x40″ inches

#21 Saturday October 17, 1964 Fresno - 1964 - William Saroyan Acrylic Print - 70x100 cm / 28x40″ inches

Normaler Preis $399.99 USD
Normaler Preis $899.99 USD Verkaufspreis $399.99 USD
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A Visual Diary of Spontaneity: William Saroyan's #21 Saturday October 17, 1964 Fresno

Step into the mid-century avant-garde with this exquisite William Saroyan acrylic print. Best known for his Pulitzer-winning literature and soulful narratives, Saroyan’s visual art remains a profound testament to his creative versatility. This piece, meticulously dated October 17, 1964, in his home of Fresno, represents a specific moment of artistic 'action'—a rhythmic, abstract exploration that bridges the gap between literary flow and visual expression. At RedKalion, we are proud to present this 70x100 cm museum-quality reproduction for the discerning collector.

Museum-Grade Acrylic Craftsmanship

RedKalion preserves the kinetic energy and organic textures of Saroyan’s brushstrokes using a premium 4mm (0.15") acrylic substrate. This medium offers unparalleled depth and color vibrancy, creating a high-gloss finish that protects the artwork while enhancing its modern appeal. The straight-cut corners provide a clean, gallery-ready silhouette that complements both contemporary and mid-century modern interiors. For optimal visual clarity, any transparent backgrounds are defaulted to white, ensuring the rich colors of the 1964 Fresno series are rendered with absolute fidelity.

  • Archival Durability: Our high-definition printing processes ensure UV resistance, allowing your archival-grade masterpiece to endure for decades.
  • Sleek Architectural Detail: The 4mm acrylic depth provides a sophisticated, three-dimensional presence on your wall.
  • Premium Installation Kit: Includes professional hardware with 15mm (0.6") screw heads and 14mm (0.55") edge-offset pre-drilled holes for a secure, floating-effect display.

By choosing RedKalion, you are not simply purchasing a print; you are acquiring a piece of American cultural history. Elevate your space with a work that reflects the intellectual spirit of William Saroyan, delivered with the uncompromising quality of a professional gallery.

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What makes the #21 Saturday October 17, 1964 Fresno print a unique investment?

This print captures a rare moment of William Saroyan’s visual output, blending his literary sense of rhythm with abstract expressionism. It is a museum-quality reproduction that serves as both a historical artifact and a sophisticated interior design element.

What are the physical specifications of the acrylic material?

The artwork is printed on 4mm (0.15") high-quality acrylic with straight-cut corners. This material is chosen for its durability, vibrant color rendering, and sleek, modern aesthetic that surpasses traditional glass framing.

How is the acrylic print prepared for hanging?

Each print includes a comprehensive hanging kit: hardware, screws, and four pre-drilled holes (8mm diameter) positioned 14mm from the edges. The 15mm screw heads ensure a secure and elegant installation.

Will the colors of the Saroyan print fade over time?

No. RedKalion uses archival-grade, UV-resistant inks and premium acrylic to ensure the longevity of the print. This ensures the artwork maintains its original vibrance and clarity for generations.

How is the artwork shipped to ensure it arrives undamaged?

We use specialized, high-impact packaging designed for large-format acrylic prints. Every piece is insured and tracked, ensuring your William Saroyan masterpiece arrives at your door in pristine, gallery-ready condition.

Who was William Saroyan as a visual artist?

While famous for his literature (The Time of Your Life), Saroyan was a prolific visual artist. He practiced 'action painting,' creating thousands of drawings and paintings that mirrored the spontaneous, humanistic energy of his writing.

Why is the specific date so prominent in the artwork's title?

Saroyan treated his art like a journal. By including the date and location (Fresno, 1964), he anchored his abstract expressions to a specific moment in time, emphasizing the work as a direct reflection of his lived experience.