What are the specifications of the Adobes and Shed New Mexico print?
This print measures 70x100 cm (28x40 inches) and is printed on 250 gsm museum-quality, natural white, uncoated matte paper. It features a 20mm thick black wooden frame crafted from oak or ash.
Is the frame durable and sustainable?
Yes, our frames are made from FSC-certified oak and ash wood. The 20mm width provides superior structural integrity compared to thinner frames, ensuring a premium look and long-lasting durability.
How is the artwork protected during shipping and display?
We use shatterproof, transparent plexiglass to protect the print from dust and damage. The artwork is securely packaged to ensure it arrives in perfect condition at your doorstep.
What makes this paper "museum-quality"?
The paper is a heavy 250 gsm (110 lb) archival grade with a thickness of 0.29 mm. Its matte, uncoated finish prevents glare and ensures the colors remain vibrant without yellowing over time.
Is this print ready to hang upon arrival?
Absolutely. Your framed Edward Hopper print arrives fully assembled with a hanging kit included, allowing you to elevate your space immediately upon delivery.
When did Edward Hopper paint Adobes and Shed New Mexico?
Edward Hopper painted this watercolor in 1925 during his first visit to Santa Fe and Taos, New Mexico, marking a significant exploration of light and geometric form.
Why is this specific work significant in Hopper's career?
It represents Hopper's fascination with the architecture of the Southwest. The piece highlights his ability to find beauty in solitude and the interplay between man-made structures and the natural landscape.