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RedKalion

1 January 1949 - 1949 - Frank Lobdell 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

1 January 1949 - 1949 - Frank Lobdell 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

Κανονική τιμή $449.99 USD
Κανονική τιμή $999.99 USD Τιμή έκπτωσης $449.99 USD
Έκπτωση Εξαντλήθηκε
Ποσότητα

1 January 1949: A Masterpiece of Bay Area Abstract Expressionism

Experience the raw, gestural power of mid-century modernism with our museum-quality reproduction of Frank Lobdell's "1 January 1949". As a central figure of the San Francisco School of Abstract Expressionism, Lobdell’s work from the late 1940s represents a pivotal moment in American art history. This particular piece, created during his influential tenure at the California School of Fine Arts, captures the existential intensity and bold, biomorphic abstraction that defined the post-war era.

Our fine art print is meticulously crafted to preserve the deep tonal nuances and dramatic textures of Lobdell’s original composition. Printed on 250 gsm (110 lb) archival museum-quality paper, the natural white, matte, and uncoated finish ensures that the artwork's soul is felt without the distraction of glare. This 70x100 cm (28x40 inches) reproduction brings a sophisticated, gallery-level presence to any interior, serving as a testament to the enduring legacy of avant-garde abstraction.

Premium Craftsmanship and Sustainable Elegance

At RedKalion, we believe that world-class art deserves world-class presentation. This piece is housed in a responsibly sourced black wooden frame, crafted from high-quality oak and ash. With a robust profile of 20mm (0.79") in thickness and width, the frame provides a contemporary, substantial border that surpasses standard commercial alternatives. To ensure longevity and safety, each print is protected by shatterproof plexiglass, maintaining the vibrancy of the pigments for generations.

  • Paper Weight: Professional-grade 250 gsm for a luxurious, durable feel.
  • Frame Detail: Solid black wood, 20mm thick for a premium gallery aesthetic.
  • Sustainability: FSC-certified materials supporting ethical forestry practices.
  • Ready to Hang: Includes a complete hanging kit for immediate installation.

Elevate your collection with an archival masterpiece that resonates with historical depth. This Frank Lobdell framed art print is more than a decoration; it is an investment in timeless aesthetic excellence.

Προβολή όλων των λεπτομερειών
Is the "1 January 1949" print ready to hang?

Yes, your Frank Lobdell framed art print arrives fully assembled in a black wooden frame and includes a pre-installed hanging kit, making it ready to elevate your wall immediately upon delivery.

What makes the paper quality "museum-grade"?

We use 250 gsm (110 lb) archival-grade paper with a matte, uncoated finish. This natural white paper is acid-free and designed to prevent yellowing, ensuring your fine art reproduction remains pristine for decades.

What are the specific dimensions of the frame?

The frame is crafted from solid oak or ash wood, measuring 20mm (0.79") in both thickness and width. This provides a more substantial and premium look compared to standard 14mm frames.

How is the artwork protected from damage?

Each print is shielded by high-quality shatterproof plexiglass. This provides the clarity of traditional glass while offering superior durability and protection against UV light and physical impact during shipping.

Are the materials used in this print sustainable?

Yes, RedKalion uses FSC-certified or equivalent sustainably sourced wood and paper. We are committed to providing premium art reproductions that respect the environment through responsible forestry practices.

What is the historical significance of Frank Lobdell's 1949 works?

1949 was a transformative year for Lobdell at the California School of Fine Arts. His work from this period helped define Bay Area Abstract Expressionism, moving away from figuration toward raw, existential, biomorphic forms.

Why did Frank Lobdell use dates as titles for his paintings?

Lobdell often used dates to emphasize the process-oriented nature of his work. This titling convention focuses the viewer on the specific moment of creation and the emotional immediacy of the abstract gesture itself.