• Blue With Red Yellow and Orange - Sam Francis 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

Blue With Red Yellow and Orange - Sam Francis 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

Blue With Red Yellow and Orange - Sam Francis 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
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Immerse Your Space in the Luminous Abstraction of Sam Francis

Elevate your interior with this museum-quality reproduction of Blue With Red Yellow and Orange by the legendary Abstract Expressionist Sam Francis. This striking composition is a masterclass in Lyrical Abstraction, showcasing Francis’s unique ability to balance vibrant, saturated pigments with the profound silence of the 'void.' As an elite fine art print curated by RedKalion, this piece captures the energetic splatters and rhythmic drips that defined Francis's post-war aesthetic.

The Artistic Legacy of Sam Francis

Sam Francis was deeply influenced by Zen Buddhism and the concept of 'ma' (negative space), which he encountered during his extensive travels in Japan. In Blue With Red Yellow and Orange, the white of the paper is not merely a background but a vital structural element that allows the primary colors to breathe and resonate. By choosing this archival masterpiece, you are bringing a fragment of 20th-century art history into your home, reflecting a sophisticated appreciation for color field theory and spontaneous gesture.

Museum-Grade Specifications for the Discerning Collector

At RedKalion, we believe that world-class art deserves world-class materials. This framed art print is meticulously crafted to ensure longevity and aesthetic brilliance:

  • Premium Paper: We utilize 250 gsm (110 lb) natural white, archival museum-quality paper. The matte, uncoated finish eliminates glare, allowing the deep blues and fiery oranges to shine.
  • Solid Wood Framing: The artwork is encased in a robust 20mm (0.79") thick frame crafted from responsibly sourced black-stained oak and ash wood, offering a more substantial profile than standard gallery frames.
  • Superior Protection: Each print is shielded by shatterproof plexiglass, ensuring your investment remains pristine for generations.
  • Sustainability: In alignment with our commitment to the environment, all materials are FSC-certified or equivalent.
  • Ready-to-Hang: Your 70x100 cm masterpiece arrives with a professional hanging kit included, ready to transform your gallery wall immediately.
Προβολή όλων των λεπτομερειών
What defines the quality of this Sam Francis reproduction?

RedKalion utilizes 250 gsm archival, museum-quality paper and acid-free inks. This ensures your Sam Francis fine art print maintains its color depth and vibrancy for decades without yellowing or fading.

How is the artwork framed?

This print features a premium black frame made from responsibly sourced oak and ash. The frame is 20mm thick and wide, providing a sturdy and sophisticated border compared to thinner, standard alternatives.

Is the print protected from environmental damage?

Yes, each framed art print is protected by high-quality, shatterproof plexiglass. This provides a clear view of the artwork while safeguarding it from dust, moisture, and accidental impact.

Is the paper used for this print sustainable?

Absolutely. We prioritize the planet by using FSC-certified materials or equivalent certifications. This ensures that your artwork is as environmentally responsible as it is aesthetically pleasing.

How will I hang my new Sam Francis print?

Your artwork arrives ready-to-hang. We include a complete hanging kit with every order, allowing you to easily mount your 70x100 cm framed print as soon as it arrives.

What art movement does Blue With Red Yellow and Orange belong to?

This work is a quintessential example of Lyrical Abstraction and Abstract Expressionism. It focuses on the emotional power of color and the spontaneity of the artist's physical movements.

What is the significance of the white space in this composition?

Sam Francis viewed the white space as 'the void.' Inspired by Japanese philosophy, he used negative space to give the vibrant pigments a sense of weightlessness and infinite expansion.