• WHITE PAINTING FOUR PANEL 1951 - Robert Rauschenberg 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

WHITE PAINTING FOUR PANEL 1951 - Robert Rauschenberg 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

WHITE PAINTING FOUR PANEL 1951 - Robert Rauschenberg 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
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White Painting [Four Panel] 1951 - Robert Rauschenberg

Immerse yourself in the radical minimalism of the mid-20th century with this museum-quality framed art print of Robert Rauschenberg's seminal White Painting [Four Panel] 1951. This iconic work, a series of four pristine white canvases, challenged the very definition of art and became a cornerstone of the Neo-Dada movement. Rauschenberg's deliberate use of pure white invites contemplation, transforming with ambient light and shadow to create a dynamic, ever-changing presence in your space.

RedKalion presents this archival masterpiece as a 70x100 cm / 28x40 inches framed art print, meticulously reproduced to honor the artist's original vision. The print is crafted on premium 250 gsm (110 lb) matte, uncoated archival paper, ensuring exceptional detail and longevity. It is elegantly housed in a responsibly sourced black wooden frame, crafted from oak and ash wood, with a substantial 20mm (0.79") thickness that provides a bold, contemporary profile. The artwork is protected by shatterproof plexiglass and arrives ready-to-hang with a complete hanging kit, allowing you to elevate your interior with a piece of art history immediately.

Art Historical Insight: Rauschenberg created his White Paintings as "clocks" for the room, reflecting the subtle shifts of light and shadow throughout the day. This conceptual approach influenced generations of artists, including John Cage, who cited them as inspiration for his composition 4'33".

  • Frame: Black wooden frame made from responsibly sourced oak and ash wood, 20mm thick and wide.
  • Print: 70x100 cm / 28x40 inches on 250 gsm (110 lb) matte, uncoated, natural white archival paper (0.29 mm / 11.4 mils thick).
  • Protection: Shatterproof plexiglass front.
  • Sustainability: Produced using FSC-certified or equivalent sustainable materials.
  • Ready-to-Hang: Includes hanging kit for immediate display.

Elevate your space with an archival masterpiece that endures, bringing the avant-garde spirit of Robert Rauschenberg into your home or office.

Προβολή όλων των λεπτομερειών
What are the dimensions of this Robert Rauschenberg framed art print?

This fine art print measures 70x100 cm (28x40 inches) and is framed in a black wooden frame with a 20mm (0.79") thickness, making it a substantial and impactful piece for any wall.

What type of paper is used for this museum-quality reproduction?

We use 250 gsm (110 lb) matte, uncoated, natural white archival paper with a thickness of 0.29 mm (11.4 mils), ideal for capturing the subtle textures and ensuring long-term durability of this Robert Rauschenberg print.

Is this framed print ready to hang?

Yes, this ready-to-hang art print includes a complete hanging kit, allowing for immediate display directly on your wall without additional assembly.

How is the print protected in the frame?

The print is safeguarded by shatterproof plexiglass, which provides clear, durable protection against damage while maintaining the visual integrity of the White Painting [Four Panel] 1951.

Is the framing material sustainable?

Yes, the black wooden frame is crafted from responsibly sourced oak and ash wood, and the paper uses FSC-certified or equivalent sustainable materials, aligning with eco-friendly practices.

What is the historical significance of White Painting [Four Panel] 1951?

Created in 1951, this work is a landmark of Neo-Dada and minimalism, challenging traditional art by using pure white to reflect ambient light and invite viewer interaction, influencing artists like John Cage.

Why did Robert Rauschenberg create all-white paintings?

Rauschenberg intended the White Paintings to act as "clocks" or mirrors of their environment, capturing fleeting light and shadow shifts to emphasize the role of perception in art.