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RedKalion

1 2 3 INFINITY THE CONTEMPORARIES 1967 - Peter Max 70x100 cm / 28x40 pulgadas Lámina enmarcada – Marco de madera negro

1 2 3 INFINITY THE CONTEMPORARIES 1967 - Peter Max 70x100 cm / 28x40 pulgadas Lámina enmarcada – Marco de madera negro

Precio habitual $449.99 USD
Precio habitual $999.99 USD Precio de oferta $449.99 USD
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Nuestros marcos de madera premium, elaborados con roble o fresno de origen responsable, presentan vetas únicas que les aportan carácter. Los pósteres están impresos en papel de edición maestra, de calidad museística, de color blanquecino, sin estucar, ideal para quienes buscan una calidad excepcional.

  • Listo para colgar: Incluye kit para colgar, listo para colgar directamente en la pared.
  • Material del marco: Madera de roble y fresno de origen responsable.
  • Medidas del marco: 20 mm (0,79") de grosor y ancho, más ancho que el marco clásico de 14 mm (0,55").
  • Gramaje del papel: 250 g/m² (110 lb), grosor: 0,29 mm (11,4 milésimas de pulgada), ideal para bellas artes.
  • Acabado del papel: Papel mate, sin recubrimiento, blanco natural, de calidad de museo.
  • Protección: El plexiglás irrompible protege el cartel.
  • Papel sostenible: materiales con certificación FSC o equivalente.
  • Tamaños disponibles: 15 tamaños en pulgadas (EE. UU. y Canadá) y cm (resto del mundo).

Sin pedidos mínimos, impreso y enviado bajo demanda.

Más obras de PETER MAX

1 2 3 INFINITY THE CONTEMPORARIES 1967 - Lámina enmarcada de Peter Max – Marco de madera negro

LOS VISIONARIOS EN LA GALERÍA EAST HAMPTON 1967 - Lámina enmarcada de Peter Max – Marco de madera negro

LIBERTAD 1980 - Lámina enmarcada de Peter Max - Marco de madera negro

MUNDO MEJOR 1993 - Lámina enmarcada de Peter Max - Marco de madera negro

MÁS CERCA DE DIOS 1971 - Lámina enmarcada de Peter Max - Marco de madera negro

SIN FRONTERAS 2011 - Lámina enmarcada de Peter Max – Marco de madera negro

BUDA LUNA MONJE AMANECER 1999 - Lámina enmarcada de Peter Max - Marco de madera negro

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What makes the paper quality of this Peter Max print "museum-grade"?

We use 250 gsm (110 lb) archival paper with a thickness of 0.29 mm. It is natural white, uncoated, and matte, specifically designed for fine art reproductions to ensure longevity and authentic color representation without glare.

How is the 1 2 3 Infinity print protected and framed?

The print is housed in a 20mm thick black wooden frame made from responsibly sourced oak and ash. It features shatterproof plexiglass, which provides museum-level protection while maintaining perfect visual clarity.

Is this Peter Max artwork ready to hang upon arrival?

Yes. Every framed print from RedKalion includes a professional hanging kit. The artwork is pre-mounted in its black wooden frame, allowing you to display it directly on your wall without extra preparation.

Does RedKalion use sustainable materials for its art prints?

Absolutely. We prioritize sustainability by using FSC-certified paper and responsibly sourced wood for our frames, ensuring that your fine art print supports ethical forestry practices.

What are the shipping logistics for a large 70x100 cm framed print?

We utilize specialized, high-durability packaging to ensure your 70x100 cm (28x40") print arrives in perfect condition. Each shipment is fully tracked and handled by premium carriers specializing in fragile goods.

What is the historical significance of Peter Max's 1967 "The Contemporaries" exhibition?

1967 was the 'Summer of Love,' and this exhibition marked Peter Max's transition into the 'Cosmic Art' style. It helped define the visual language of the 60s counter-culture through psychedelic pop-art themes.

What does the "1 2 3 Infinity" theme represent in Max's work?

The title reflects Peter Max's fascination with astronomy and Eastern philosophy. It represents the progression from the individual (1) to the collective (2, 3) and ultimately to the infinite, cosmic consciousness.