What are the technical specifications of the paper used for this Peter Max print?
We use 250 gsm (110 lb) archival museum-quality paper. It is a natural white, uncoated, and matte paper with a thickness of 0.29 mm, ensuring high durability and premium color reproduction for your fine art print.
How is the frame constructed and what are its dimensions?
The frame is made from responsibly sourced oak and ash wood. It measures 20mm (0.79") in both width and thickness, providing a sturdier, more premium feel than standard 14mm frames found in most galleries.
Is the print protected against breakage and environmental damage?
Yes, each Peter Max framed art print is protected by shatterproof, transparent plexiglass. This ensures your artwork remains safe from impacts while maintaining absolute clarity and UV resistance.
Is the artwork ready to hang upon arrival?
Absolutely. Every RedKalion framed print comes with a pre-installed hanging kit. The piece is designed to be ready to hang directly on your wall the moment it arrives at your home.
Are the materials used in this reproduction sustainable?
RedKalion prioritizes the planet. We use FSC-certified wood and paper (or local equivalents), ensuring that your museum-quality reproduction is produced with responsibly managed forest materials.
What is the significance of the monk and moon in Peter Max's work?
In Max's 'Cosmic' period, the monk represents spiritual stillness, while the moon and sunrise symbolize cosmic consciousness. This 1999 piece reflects his lifelong interest in Eastern philosophy and enlightenment.
How does the quality of a RedKalion print differ from standard posters?
RedKalion prints are archival-grade. Using heavy 250 gsm paper and solid wood frames rather than composite materials, our reproductions are designed to last decades without fading or warping, unlike mass-produced posters.