• 59-140130-A - 1959 - Martin Barre 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

59-140130-A - 1959 - Martin Barre 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

59-140130-A - 1959 - Martin Barre 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
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Elevate Your Space with Martin Barré’s Minimalist Mastery

Experience the intellectual rigor of French abstraction with this museum-quality reproduction of 59-140130-A (1959) by Martin Barré. As one of the most influential figures in post-war conceptual painting, Barré’s work from the late 1950s represents a radical departure from the expressive excess of the era, focusing instead on the essential relationship between the line and the void. This fine art print captures every nuance of his deliberate, spatial gestures, transforming your interior into a curated gallery space.

The Artistry of Martin Barré

By 1959, Martin Barré had transitioned into a phase where the canvas became a field of spatial inquiry. His technique often involved the use of a palette knife or specific marking tools to create compositions that feel both spontaneous and mathematically poised. This specific piece, 59-140130-A, exemplifies his search for a 'pure' painting, where the white space is as vital as the marks themselves. At RedKalion, we honor this legacy by ensuring our prints maintain the depth and texture of the original avant-garde vision.

Museum-Quality Material Specifications

Every RedKalion print is crafted to satisfy the most discerning collectors. This 70x100 cm (28x40 inches) masterpiece is printed on 250 gsm (110 lb) natural white, archival-grade paper. The matte, uncoated finish ensures a glare-free viewing experience, allowing the subtle shifts in Barré’s tones to shine. Protected by shatterproof plexiglass, the print is housed in a premium 20mm (0.79") thick frame crafted from responsibly sourced black ash wood, offering a bolder, more luxurious profile than standard commercial frames.

  • Archival Excellence: FSC-certified, acid-free paper ensures the work remains vibrant for generations.
  • Premium Framing: Solid wood frame with a sophisticated 20mm depth for a high-end gallery aesthetic.
  • Ready-to-Hang: Delivered with a professional hanging kit for immediate installation.
  • Sustainably Produced: Our materials are ethically sourced, reflecting RedKalion’s commitment to both art and the environment.
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What makes the paper quality of this Martin Barré print unique?

We use 250 gsm (110 lb) archival museum-quality paper. It is natural white, uncoated, and matte, specifically chosen to replicate the tactile depth of original mid-century abstract works while ensuring long-term durability.

Is the black wooden frame sustainably sourced?

Yes, our frames are made from responsibly sourced oak and ash wood, certified by the FSC. The black finish provides a sleek, modern look that complements Barré’s minimalist aesthetic perfectly.

Does the print arrive ready to be displayed?

Absolutely. Every framed print includes a professional hanging kit. The artwork is secured behind shatterproof plexiglass, ensuring it arrives in pristine condition and is ready to hang directly on your wall.

What are the exact dimensions of the frame?

The frame has a thickness and width of 20mm (0.79"). This is wider and sturdier than the standard 14mm frames, providing a more substantial, premium presence for large-format 70x100 cm prints.

How does RedKalion ensure archival longevity?

By utilizing acid-free, 250 gsm paper and archival-grade inks, our prints resist yellowing and fading. This ensures that your investment in fine art remains a centerpiece of your collection for decades.

Who was Martin Barré and why is his 1959 work significant?

Martin Barré was a French painter known for his minimalist abstraction. His 1959 series marked a pivotal shift toward conceptualism, using space and minimal lines to redefine the boundaries of traditional canvas painting.

What does the title '59-140130-A' signify?

Martin Barré used a systematic coding method for his titles, typically referencing the year of creation (1959) and a specific sequence. This reflects his analytical approach to art and his rejection of romanticized titling.