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RedKalion

CHOCOLATE PAINTING SCHOKOLADENBILD 1964 - Sigmar Polke 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

CHOCOLATE PAINTING SCHOKOLADENBILD 1964 - Sigmar Polke 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

Normaalihinta $449.99 USD
Normaalihinta $999.99 USD Alennushinta $449.99 USD
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Experience the Essence of Capitalist Realism with Sigmar Polke’s Schokoladenbild (1964)

Invite a seminal piece of 20th-century art into your collection with this museum-quality reproduction of Sigmar Polke’s "Schokoladenbild" (Chocolate Painting), 1964. A cornerstone of the "Capitalist Realism" movement, this work represents Polke's biting yet playful critique of consumer culture in post-war Germany. By elevating a mundane object like a chocolate bar to the status of fine art, Polke challenged the boundaries between high culture and commercial kitsch.

This 70x100 cm (28x40 inches) framed art print is meticulously crafted to capture the nuance of Polke's original vision. Printed on 250 gsm (110 lb) archival museum-quality paper, the natural white, matte finish ensures deep color saturation without distracting glare. Each print is housed in a robust 20mm (0.79") black wooden frame, crafted from responsibly sourced oak and ash, providing a sophisticated, contemporary silhouette that surpasses standard commercial frames.

At RedKalion, we believe fine art should endure. Our archival-grade materials ensure that the subtle textures and historical resonance of the "Schokoladenbild" remain vibrant for decades. Protected by shatterproof plexiglass and arriving ready-to-hang, this piece serves as both a scholarly tribute to Polke’s technical innovation and a stunning visual anchor for any modern interior.

  • Artist: Sigmar Polke (1941–2010)
  • Movement: Capitalist Realism
  • Frame: Sustainably sourced black oak/ash (20mm profile)
  • Paper: 250 gsm natural white, matte, archival
  • Sustainability: FSC-certified materials
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Discover Unlimited Art Possibilities

At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.

If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.


For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.

For custom requests, contact us at support@redkalion.com .

What makes the Schokoladenbild (1964) significant in art history?

Sigmar Polke's 1964 Chocolate Painting is a primary example of Capitalist Realism, reacting to both Socialist Realism and American Pop Art by exploring German consumerism with irony.

What are the specifications of the frame used for this Sigmar Polke print?

We use a premium 20mm (0.79") thick frame made from responsibly sourced oak and ash wood, finished in a sleek black that complements the modern aesthetic.

Is the paper used for this fine art reproduction archival quality?

Yes, we use 250 gsm (110 lb) matte, uncoated, natural white paper that is archival-grade and FSC-certified to ensure longevity and color fidelity.

How is the artwork protected during shipping and on the wall?

Each print is protected by shatterproof, transparent plexiglass and arrives with a hanging kit included, ready to elevate your space immediately upon delivery.

Does this print include a white border around the image?

Our Sigmar Polke reproductions are designed to fit the frame perfectly; please refer to the product imagery for specific border styling on the 70x100 cm format.

How does RedKalion ensure the sustainability of its art prints?

We use FSC-certified or equivalent sustainable materials for both our paper and wooden frames, supporting responsible forest management globally.

What was Sigmar Polke's "Rasterdot" technique found in works from this era?

Polke often used "Rasterbilder" (dot paintings), mimicking industrial printing processes to critique the mass-mediated reality of the 1960s, a precursor to his later experimental works.