• Acht farben im horizontal-diagonal-quadtrat - 1965 - Max Bill 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

Acht farben im horizontal-diagonal-quadtrat - 1965 - Max Bill 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

Acht farben im horizontal-diagonal-quadtrat - 1965 - Max Bill 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
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Elevate Your Space with Max Bill’s Mathematical Precision

Experience the pinnacle of Swiss Design and Concrete Art with Max Bill’s 1965 masterpiece, Acht farben im horizontal-diagonal-quadrat. This iconic composition is a testament to Bill’s philosophy that art can be generated through mathematical logic. At RedKalion, we have meticulously reproduced this work as a museum-quality fine art print, ensuring that the vibrancy of the eight distinct colors and the sharp geometric intersections are preserved with absolute fidelity.

The Significance of ‘Concrete Art’

Max Bill, a former student at the Bauhaus and a co-founder of the Ulm School of Design, was the leading proponent of Konkrete Kunst (Concrete Art). Unlike abstract art, which derives from nature, Bill’s work is ‘concrete’ because it exists solely on its own terms—structure, color, and form are the only reality. Acht farben im horizontal-diagonal-quadrat utilizes a rigorous grid system where horizontal and diagonal axes meet, creating a visual rhythm that is both intellectually stimulating and aesthetically harmonious.

Archival Craftsmanship by RedKalion

This 70x100 cm (28x40 inches) framed art print is designed to be a lifetime investment. We use 250 gsm (110 lb) archival museum-quality paper with a natural white, matte finish. This uncoated paper prevents glare, allowing the mathematical precision of Bill’s palette to shine under any lighting. The print is housed in a premium black wooden frame, crafted from responsibly sourced oak or ash. Measuring 20mm (0.79") in both width and thickness, our frames offer a substantial, high-end profile compared to standard 14mm alternatives.

  • Sustainable Materials: Printed on FSC-certified paper, reflecting our commitment to environmental stewardship.
  • Premium Protection: Each piece is shielded by shatterproof plexiglass for lasting clarity and safety.
  • Ready to Hang: Arrives with a professional hanging kit included, allowing for effortless installation.
  • Durability: Archival-grade materials ensure that the colors remain vibrant for decades without yellowing.
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What are the physical dimensions and frame specifications?

This print measures 70x100 cm (28x40 inches). It is set in a 20mm (0.79") thick and wide black wooden frame made from responsibly sourced ash or oak, providing a modern, premium look.

What is the quality of the paper used?

We use 250 gsm (110 lb) archival museum-quality paper. It is natural white, matte, and uncoated, ensuring high-contrast color reproduction and longevity without the risk of yellowing over time.

Is the artwork ready to hang upon delivery?

Yes, your Max Bill print arrives ready to hang. We include a dedicated hanging kit with every order, allowing you to elevate your interior space immediately upon unboxing.

How is the artwork protected during shipping and display?

We use shatterproof plexiglass to protect the print surface from UV rays and physical damage. Each framed print is securely packaged in robust materials to ensure it reaches you in perfect condition.

Are the materials used in this print sustainable?

Absolutely. RedKalion utilizes FSC-certified paper or equivalent sustainable materials, ensuring that your fine art reproduction supports responsible forest management and environmental standards.

What is the meaning behind 'Acht farben im horizontal-diagonal-quadrat'?

The title translates to 'Eight colors in a horizontal-diagonal-square.' It represents Max Bill’s exploration of mathematical systems where color and geometry intersect to create a self-contained visual logic.

Who was Max Bill and why is he important?

Max Bill was a Swiss polymath—an architect, artist, and designer. He was a key figure in the Concrete Art movement, emphasizing clarity, mathematical order, and the intersection of art and science.