• Adobes and Shed New Mexico - Edward Hopper 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

Adobes and Shed New Mexico - Edward Hopper 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

Adobes and Shed New Mexico - Edward Hopper 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
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The Quiet Majesty of the Southwest: Edward Hopper's Adobes and Shed New Mexico

In 1925, Edward Hopper transitioned from the bustling streets of New York to the stark, sun-drenched landscapes of the American Southwest. This exquisite fine art print, Adobes and Shed New Mexico, captures a pivotal moment in American Realism where Hopper applies his mastery of light and shadow to the unique geometry of adobe architecture. Unlike his later brooding urban scenes, this work explores a sense of open solitude, emphasizing the textures of the desert and the silent weight of the structures under the New Mexican sun.

Museum-Quality Craftsmanship for the Discerning Collector

RedKalion is proud to present this museum-quality reproduction, meticulously crafted to preserve the tonal nuances of Hopper’s original vision. To ensure an archival-grade finish, we utilize 250 gsm (110 lb) natural white paper. This heavy-weight, uncoated matte paper is FSC-certified, ensuring your investment in art also supports sustainable forestry. The 0.29 mm thickness provides a robust, tactile feel that distinguishes it from standard posters.

Elegant Framing and Durability

This 70x100 cm (28x40 inches) masterpiece arrives in a premium black wooden frame, expertly crafted from responsibly sourced oak and ash. With a profile width of 20mm (0.79"), the frame offers a more substantial and sophisticated presence than standard 14mm alternatives. Each piece is protected by shatterproof plexiglass, ensuring the artwork remains pristine while being safe for any environment. Designed for immediate elevation of your space, every print includes a pre-installed hanging kit.

  • Artistic Legacy: A quintessential example of Hopper’s 1925 Southwestern period.
  • Archival Longevity: Acid-free, natural white paper that resists yellowing over time.
  • Premium Presentation: 20mm deep black wood frame with a matte finish.
  • Sustainable Excellence: FSC-certified materials reflecting RedKalion’s commitment to the environment.

Elevate your interior with a piece that balances historical significance with modern sophistication. This Edward Hopper framed art print is more than decoration; it is an archival masterpiece that endures.

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What are the specifications of the Adobes and Shed New Mexico print?

This print measures 70x100 cm (28x40 inches) and is printed on 250 gsm museum-quality, natural white, uncoated matte paper. It features a 20mm thick black wooden frame crafted from oak or ash.

Is the frame durable and sustainable?

Yes, our frames are made from FSC-certified oak and ash wood. The 20mm width provides superior structural integrity compared to thinner frames, ensuring a premium look and long-lasting durability.

How is the artwork protected during shipping and display?

We use shatterproof, transparent plexiglass to protect the print from dust and damage. The artwork is securely packaged to ensure it arrives in perfect condition at your doorstep.

What makes this paper "museum-quality"?

The paper is a heavy 250 gsm (110 lb) archival grade with a thickness of 0.29 mm. Its matte, uncoated finish prevents glare and ensures the colors remain vibrant without yellowing over time.

Is this print ready to hang upon arrival?

Absolutely. Your framed Edward Hopper print arrives fully assembled with a hanging kit included, allowing you to elevate your space immediately upon delivery.

When did Edward Hopper paint Adobes and Shed New Mexico?

Edward Hopper painted this watercolor in 1925 during his first visit to Santa Fe and Taos, New Mexico, marking a significant exploration of light and geometric form.

Why is this specific work significant in Hopper's career?

It represents Hopper's fascination with the architecture of the Southwest. The piece highlights his ability to find beauty in solitude and the interplay between man-made structures and the natural landscape.