
What are the specifications of the paper used for this Bridget Riley print?
We use archival museum-quality 250 gsm (110 lb) natural white paper. It is uncoated, matte, and FSC-certified, ensuring exceptional color depth and longevity for your fine art print.
What is the frame material and construction?
The 70x100 cm print is housed in a premium black frame made from responsibly sourced oak and ash. The frame is 20mm thick and wide, offering a high-end, gallery-style aesthetic.
How is the artwork protected during shipping?
Each framed print is secured with shatterproof plexiglass and packaged in reinforced, protective materials to ensure it arrives in pristine condition ready for display.
Is the artwork ready to hang upon arrival?
Yes. Every RedKalion framed print includes a pre-installed hanging kit, allowing you to elevate your space immediately without the need for additional hardware.
Will the print colors fade over time?
No. By using archival-grade, acid-free museum paper and protective plexiglass, our prints are designed to resist yellowing and fading, maintaining their tonal integrity for decades.
What is the historical significance of Black to White Disks 1952?
Created in 1952, this work showcases Bridget Riley's transition from Seurat-inspired Pointillism to the structured, optical rhythms of Op Art, exploring how simple geometric forms can simulate movement.
Is this a museum-quality reproduction?
Absolutely. RedKalion specializes in premium reproductions that utilize high-resolution digital captures and archival materials to mirror the visual impact of the original Bridget Riley masterpiece.