
What are the dimensions and framing details of this Robert Goodnough print?
This framed art print measures 70x100 cm (28x40 inches) and features a 20mm (0.79") thick black wooden frame made from responsibly sourced oak and ash wood, wider than classic frames for a modern look.
What type of paper is used for this museum-quality reproduction?
We use 250 gsm (110 lb) archival museum-quality paper with a 0.29 mm (11.4 mils) thickness, matte uncoated finish, and natural white color, ensuring longevity and vibrant color reproduction for fine art prints.
Is this framed print ready to hang upon delivery?
Yes, this ready-to-hang framed art print includes a hanging kit, so you can display it directly on your wall without additional setup, perfect for immediate home or office decor.
How does the plexiglass protect the Robert Goodnough artwork?
The shatterproof plexiglass provides durable protection against dust, scratches, and UV damage, safeguarding your Post-Painterly Abstraction print while maintaining clear visibility of the archival paper.
Is the paper sustainable for this fine art print?
Yes, we use FSC-certified or equivalent sustainable materials for our archival museum-quality paper, aligning with eco-friendly practices in producing this framed art print.
What is Post-Painterly Abstraction, and how does this artwork fit into it?
Post-Painterly Abstraction, a 1960s-70s movement, emphasizes clean lines, flat colors, and geometric forms over emotional expression. Robert Goodnough's Red Blue and Grey exemplifies this with its balanced primary hues and structured composition.
Who was Robert Goodnough, and why is this piece significant?
Robert Goodnough (1917-2010) was an American artist associated with the New York School and Post-Painterly Abstraction. This piece showcases his mastery of color theory and geometric abstraction, making it a key work in modern art history.