Skip to product information
1 of 11

RedKalion

Aus Portfolio Kinderstern - 1989 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints

Aus Portfolio Kinderstern - 1989 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints

Regular price $399.99 USD
Regular price $899.99 USD Sale price $399.99 USD
Sale Sold out
Quantity

Elevate Your Space with Max Bill’s Mathematical Precision

Experience the intersection of mathematical logic and aesthetic purity with this museum-quality reproduction of Max Bill’s 'Aus Portfolio Kinderstern' (1989). As a primary exponent of Concrete Art and a protege of the Bauhaus, Bill’s work transcends mere decoration, offering a rigorous exploration of form and color. This specific piece, part of the renowned Kinderstern charity portfolio, represents a pivotal moment in late 20th-century geometric abstraction.

The RedKalion Archival Standard: Brushed Aluminum DIBOND®

At RedKalion, we curate works that demand sophisticated presentation. This Max Bill Aluminum Print is executed on a premium 3mm (0.12") brushed silver Aluminum DIBOND® substrate. The material features a distinct horizontal grain that provides a dynamic, metallic depth, particularly in the unprinted areas where the silver effect is most striking. This choice of medium reflects Max Bill’s own architectural and industrial design sensibilities, bridging the gap between fine art and structural integrity.

Technical Sophistication and Visual Impact

Our direct-to-surface printing process ensures vivid color saturation while maintaining a refined, matte finish. This eliminates glare, making it an ideal centerpiece for contemporary interiors with diverse lighting conditions. The rigid, durable base ensures your Max Bill print remains a legacy piece for generations.

  • Material: 3mm Brushed Aluminum DIBOND® with a horizontal grain.
  • Finish: Matte and glare-free with a brushed silver metallic effect.
  • Archival Quality: UV-resistant inks and a rigid base prevent degradation and warping.
  • Installation: Includes a professional hanging kit tailored to your region for a seamless gallery appearance.

By choosing this archival masterpiece from RedKalion, you are not merely purchasing a print; you are acquiring a curated piece of art history, rendered with the precision that Max Bill’s legacy demands.

View full details
What material is used for the Max Bill Kinderstern print?

We use 3mm (0.12") brushed silver Aluminum DIBOND®. This rigid material provides a durable, warp-resistant base that complements the industrial aesthetic of Max Bill’s geometric Concrete Art.

How does the brushed aluminum finish affect the artwork’s appearance?

The horizontal grain of the aluminum creates a dynamic metallic silver effect in unprinted areas. The matte, glare-free finish ensures the composition remains visible from any angle under various lighting conditions.

Is the hanging hardware included with this Max Bill Aluminum Print?

Yes, every museum-quality reproduction includes a high-grade hanging kit. The specific hardware varies depending on the fulfillment country to ensure the safest and most secure installation for your space.

Are the colors in this reproduction true to the original 1989 work?

RedKalion utilizes advanced direct printing technology to achieve vivid color accuracy and high resolution, staying faithful to the mathematical color relationships defined by Max Bill in his original 1989 portfolio.

How long will this museum-quality print last?

Our Aluminum DIBOND® prints are archival-grade. The combination of UV-resistant inks and a non-corrosive aluminum base ensures your fine art print remains vibrant and structurally sound for decades.

What is the historical context of the Max Bill 'Kinderstern' portfolio?

The 'Kinderstern' (Star for Children) was a project initiated by artist Imi Knoebel in 1989 to support children's rights. Max Bill’s contribution reflects his lifelong commitment to humanitarianism and mathematical abstraction.

How does Max Bill’s Concrete Art philosophy manifest in this piece?

This work exemplifies 'Concrete Art'—art that is not abstracted from nature but created through mathematical logic. Bill used geometric proportions to create a visual language that is universal and self-referential.