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RedKalion

Back Off - Sam Francis Brushed Aluminum Print - 70x100 cm / 28x40 inches | Sam Francis Aluminum Print | Sam Francis Prints

Back Off - Sam Francis Brushed Aluminum Print - 70x100 cm / 28x40 inches | Sam Francis Aluminum Print | Sam Francis Prints

Regular price $399.99 USD
Regular price $899.99 USD Sale price $399.99 USD
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Elevate Your Space with the Luminous Vitality of "Back Off" by Sam Francis

Experience the profound intersection of Abstract Expressionism and modern materiality with our museum-quality reproduction of "Back Off" by Sam Francis. A master of color and light, Francis was celebrated for his unique ability to manipulate space—inspired by the Japanese concept of Ma. At RedKalion, we honor this legacy by presenting his work on a substrate that matches the intensity of his vision: Brushed Silver Aluminum DIBOND®.

This Sam Francis Aluminum Print is not merely a reproduction; it is a structural masterpiece. The 3mm (0.12") thick aluminum provides a rigid, durable base, while the horizontal grain of the brushed metal surface interacts dynamically with ambient light. In "Back Off," where Francis utilizes negative space as a focal point, our printing process allows the unprinted white areas to reveal the raw, metallic silver effect. This creates a sophisticated, glare-free matte finish that brings a contemporary, industrial elegance to the artist’s gestural Tachisme style.

  • Museum-Quality Reproduction: Direct-to-substrate printing ensures vivid colors and sharp, fine-art detail.
  • Archival Longevity: The 3mm Aluminum DIBOND® is engineered for durability, resisting environmental wear.
  • Sophisticated Finish: The brushed silver finish provides a unique depth, particularly striking for the bold color palettes of Sam Francis.
  • Gallery Ready: A professional hanging kit is included, allowing you to seamlessly integrate this archival masterpiece into your collection.

RedKalion serves as the definitive curator for discerning collectors seeking fine art prints that transcend the ordinary. By choosing this aluminum edition, you are investing in a piece that combines the historical significance of mid-century abstraction with the precision of 21st-century archival technology. Elevate your environment with an artwork that captures the boundless energy of one of the 20th century’s most influential painters.

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What defines the quality of a Sam Francis print on aluminum?

RedKalion uses museum-quality direct printing on 3mm Aluminum DIBOND®. This ensures archival longevity and a striking matte finish that captures the nuanced color and gestural energy of Sam Francis’s original works.

How does the brushed silver finish affect the artwork’s appearance?

The horizontal grain of the brushed silver aluminum reflects light dynamically. In a Sam Francis aluminum print, white areas remain unprinted, allowing the metallic silver texture to shine through, creating a unique, high-contrast effect.

Is the hanging hardware included with my purchase?

Yes, every Sam Francis print from RedKalion includes a professional hanging kit. The specific hardware varies by fulfillment country to ensure the most secure and aesthetic installation for your local wall types.

How durable is a 3mm Aluminum DIBOND® print?

Aluminum DIBOND® is exceptionally rigid and lightweight. It is resistant to warping and environmental factors, making it a superior choice for long-term art displays compared to traditional paper or canvas.

What is the shipping process for RedKalion fine art prints?

We utilize specialized art-secure packaging to protect the aluminum substrate. Each order is tracked and insured, ensuring your Sam Francis masterpiece arrives in pristine, gallery-ready condition.

What is the significance of Sam Francis's "Back Off"?

"Back Off" represents Francis’s late-career exploration of controlled chaos and spatial depth. It showcases his mastery of color interactions and his signature use of empty space to create a sense of infinite light.

How did Sam Francis's time in Japan influence his style?

Francis was deeply influenced by Japanese Zen aesthetics and the concept of 'Ma' (negative space). This led him to treat the white areas of his compositions as active elements rather than empty voids.