• BREATHE 1966 - Bridget Riley 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

BREATHE 1966 - Bridget Riley 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

BREATHE 1966 - Bridget Riley 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
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The Vibrancy of Stillness: BREATHE (1966) by Bridget Riley

Step into the mesmerizing world of Op Art with this museum-quality reproduction of Bridget Riley's BREATHE (1966). A masterclass in geometric abstraction, this piece challenges the viewer's perception, creating an undulating sense of rhythm and expansion that seems to pulsate across the canvas. At RedKalion, we curate this iconic work to honor Riley’s precision and her revolutionary approach to visual dynamics.

Authentic Op Art Aesthetics

In the mid-1960s, Bridget Riley transitioned the art world into a new era of optical exploration. BREATHE is a quintessential example of her monochromatic period, where she utilized precise vertical lines to generate a sense of depth and movement. This fine art print captures every nuance of her original vision, allowing the viewer to experience the subtle compression and expansion of space that characterizes her most celebrated works.

Premium Archival Construction

To preserve the stark contrast and rhythmic clarity of Riley's work, we utilize a 250 gsm (110 lb) natural white museum-quality paper. This heavy-weight, archival-grade paper features a matte, uncoated finish that eliminates glare, ensuring the focus remains entirely on the optical effects. The print is housed in a responsibly sourced black wooden frame (oak and ash), featuring a sophisticated 20mm (0.79") profile that provides structural elegance and durability.

RedKalion Excellence

  • Ready-to-Hang: Delivered with a premium hanging kit for immediate installation.
  • Shatterproof Protection: High-grade plexiglass ensures your museum-quality reproduction remains pristine.
  • Sustainability: Crafted using FSC-certified materials, aligning luxury with environmental responsibility.
  • Precision Framing: Our 20mm frames are wider and more robust than industry standards, offering a gallery-grade presence for your home or office.
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What makes the BREATHE (1966) print museum-quality?

Our Bridget Riley prints use 250 gsm archival-grade paper and light-fast inks. This museum-quality standard ensures the deep blacks and crisp whites remain sharp and resist fading for decades, maintaining the integrity of the Op Art illusion.

Is the black wooden frame included and ready to hang?

Yes, your BREATHE (1966) art print arrives professionally mounted in a black ash or oak frame. It includes a complete hanging kit, allowing you to display this masterpiece directly upon arrival without further assembly.

How is the artwork protected from environmental damage?

Each framed print is protected by high-quality, shatterproof plexiglass. This provides superior protection against dust and impact while maintaining visual clarity, ensuring your Bridget Riley reproduction stays in gallery condition.

Is the paper used for this fine art print sustainable?

RedKalion is committed to sustainability. We use FSC-certified paper or equivalent regional standards, ensuring that the museum-quality materials for your Bridget Riley print are sourced from responsibly managed forests.

What are the exact dimensions of the frame profile?

The black wooden frame features a 20mm (0.79") width and thickness. This profile is sturdier and more visually commanding than the standard 14mm frames, providing a premium, contemporary look for your space.

What artistic movement does Bridget Riley’s BREATHE belong to?

BREATHE (1966) is a landmark piece of the Op Art (Optical Art) movement. It focuses on how geometric shapes and monochromatic patterns can create the illusion of movement and psychological tension within the viewer's eye.

Why did Bridget Riley choose a monochromatic palette for this piece?

During the 1960s, Riley focused on black and white to isolate the effects of light and form. By removing color, she forced the viewer to engage directly with the structural rhythm and the optical vibration of the lines.