
Discover Unlimited Art Possibilities
At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What is Brushed Aluminum DIBOND®?
It is a premium 3mm thick composite material featuring a brushed silver metallic finish. This substrate provides a durable, rigid base for fine art, offering a modern aesthetic with a distinctive horizontal grain.
How does the metallic silver effect work on this print?
In our direct printing process, unprinted white areas of the artwork are left open to reveal the brushed aluminum surface. This creates a shimmering, metallic silver effect that adds depth and sophistication to the design.
Is this Helen Frankenthaler print archival and fade-resistant?
Yes. RedKalion uses archival-grade inks and high-quality aluminum DIBOND® to ensure your print remains vibrant and resistant to UV degradation for decades, making it a lasting investment for your collection.
Does the print come ready to hang?
Every RedKalion aluminum print includes a professional hanging kit. The specific hardware varies by fulfillment country to ensure the most secure and aesthetic mounting solution for your specific location.
How should I clean my aluminum art print?
To maintain the matte finish, simply use a soft, dry microfiber cloth to remove dust. Avoid using harsh chemicals or abrasive materials, as the aluminum surface is engineered for a glare-free, pristine appearance.
What makes 'Chairman of the Board' significant in Frankenthaler's career?
Created in 1971, this work represents Frankenthaler’s evolution toward more architectural and deliberate compositions while maintaining the fluid, atmospheric quality of her earlier 'soak-stain' breakthrough period.
What is the significance of the year 1971 for this piece?
By 1971, Frankenthaler was exploring larger scales and bolder color relationships. 'Chairman of the Board' reflects the maturity of the Color Field movement and her role as its primary innovator.
