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HOMAGE TO THE SQUARE BLUE GREEN 1950 - Josef Albers 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

HOMAGE TO THE SQUARE BLUE GREEN 1950 - Josef Albers 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

Regular price $449.99 USD
Regular price $999.99 USD Sale price $449.99 USD
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Josef Albers 'Homage to the Square: Blue Green' (1950) - Framed Art Print

Immerse yourself in the iconic color theory of Josef Albers with this museum-quality framed art print of 'Homage to the Square: Blue Green' (1950). Part of Albers' groundbreaking Homage to the Square series, this artwork explores the perceptual interplay between nested squares in shades of blue and green, challenging viewers to see color as a dynamic, relational force rather than a fixed property. Created during his influential tenure at Yale University, this piece exemplifies Albers' meticulous study of optical effects and his belief that color is "the most relative medium in art."

RedKalion presents this archival masterpiece in a premium black wooden frame, crafted from responsibly sourced oak and ash wood. The frame measures 20mm (0.79") thick and wide, offering a substantial, modern presence that enhances the artwork's geometric precision. Your print arrives ready-to-hang with an included hanging kit, allowing for immediate display in your home, office, or gallery space.

We use only the finest materials to ensure longevity and visual fidelity. The print is produced on 250 gsm (110 lb) matte, uncoated, natural white archival paper with a thickness of 0.29 mm (11.4 mils), ideal for capturing subtle color gradations. It is protected by shatterproof plexiglass, offering durability without compromising clarity. Our commitment to sustainability includes FSC-certified materials or equivalent, aligning with ethical art practices.

Elevate your space with this timeless reproduction that bridges mid-century modernism and contemporary design. Perfect for collectors, educators, or anyone seeking to infuse their environment with intellectual and aesthetic depth.

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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.

If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.


For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.

For custom requests, contact us at support@redkalion.com .

What is the significance of Josef Albers' 'Homage to the Square: Blue Green' (1950)?

This artwork is part of Albers' iconic Homage to the Square series, exploring color theory and optical perception through nested squares in blue and green hues, reflecting his influential teachings at Yale University.

What are the dimensions of this framed art print?

The framed print measures 70x100 cm (28x40 inches), with a black wooden frame that is 20mm (0.79") thick and wide, providing a modern, substantial look for your fine art display.

What type of paper is used for this museum-quality reproduction?

We use 250 gsm (110 lb) matte, uncoated, natural white archival paper with a thickness of 0.29 mm (11.4 mils), ideal for fine art prints and ensuring long-lasting color vibrancy.

Is this framed print ready to hang?

Yes, it includes a hanging kit and is ready-to-hang directly on your wall, making it easy to display this archival masterpiece immediately upon arrival.

How is the print protected in the frame?

The print is safeguarded by shatterproof plexiglass, offering durability and clarity while protecting your Josef Albers reproduction from damage.

What materials are used in the frame, and are they sustainable?

The black wooden frame is made from responsibly sourced oak and ash wood, and we use FSC-certified materials or equivalent for sustainable fine art practices.

Can you explain Albers' technique in the 'Homage to the Square' series?

Albers used nested squares to study color interaction, applying paint directly from the tube to achieve pure, relational hues that shift based on surrounding colors, emphasizing perceptual dynamics.