• 1-4 um excentrum IV - 1969 By Max Bill Pack of 10 Post Cards | Max Bill Post Cards | A6 (10.5 x 14.8 cm) - 4.1 x 5.8 inches
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RedKalion

1-4 um excentrum IV - 1969 By Max Bill Pack of 10 Post Cards | Max Bill Post Cards | A6 (10.5 x 14.8 cm) - 4.1 x 5.8 inches

1-4 um excentrum IV - 1969 By Max Bill Pack of 10 Post Cards | Max Bill Post Cards | A6 (10.5 x 14.8 cm) - 4.1 x 5.8 inches

$35.99 USD
$61.49 USD $35.99 USD
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The Mathematical Elegance of Max Bill: 1-4 um excentrum IV

Experience the precision of the Swiss school with this exclusive pack of 10 postcards featuring 1-4 um excentrum IV (1969) by the legendary Max Bill. A master of Concrete Art and a protégé of the Bauhaus, Bill’s work transcends mere decoration, representing a sophisticated 'mathematical way of thinking' applied to visual form. This specific piece, part of his exploration into concentric and eccentric geometric progressions, exemplifies the harmony between logic and aesthetics.

At RedKalion, we honor the architectural integrity of Bill’s vision by utilizing 12-color fine art printing technology. While standard reproductions rely on basic 4-color processes, our museum-quality method ensures every subtle shift in tone and every razor-sharp line is rendered with absolute fidelity. The result is a vibrant, archival-grade reproduction that captures the depth and clarity of the original 1969 masterpiece.

Premium Specifications for the Discerning Collector

  • Color Depth: Advanced 12-color giclée printing for unparalleled vibrancy and accuracy.
  • Paper Quality: Printed on 200 gsm (80 lb) archival paper with a thickness of 0.26 mm (10.3 mils).
  • Finish: A smooth matte finish that eliminates glare, allowing the geometric forms to speak for themselves.
  • Sustainability: Each postcard is crafted on FSC-certified paper, ensuring your appreciation for art aligns with environmental responsibility.
  • Format: Convenient A6 (10.5 x 14.8 cm) dimensions, perfect for sophisticated correspondence or a curated gallery wall.

Whether you are sending a note of refined sentiment or building a personal archive of 20th-century modernism, these 1-4 um excentrum IV postcards offer a tactile connection to the history of Concrete Art. Elevate your space and your communication with an archival masterpiece that endures.

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Discover Unlimited Art Possibilities

At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.

If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.

For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.

For custom requests, contact us at support@redkalion.com .

What makes RedKalion’s 12-color printing superior to standard postcards?

Our 12-color fine art technology provides a wider color gamut and smoother gradients than standard 4-color inkjet printing, ensuring museum-quality accuracy and depth.

What is the weight and texture of the postcard paper?

We use a premium 200 gsm (80 lb) paper with a smooth matte finish, offering a sturdy, glare-free, and sophisticated tactile experience.

Is the paper used for these Max Bill postcards eco-friendly?

Yes, all our postcards are printed on FSC-certified (Forest Stewardship Council) paper, supporting responsible forest management and environmental sustainability.

How are these fine art postcards produced?

Each pack is printed on demand to ensure the highest quality control and reduce waste, maintaining RedKalion’s commitment to premium, sustainable curation.

Are these postcards suitable for framing as miniature art prints?

Absolutely. The archival-grade materials and A6 (10.5 x 14.8 cm) size make them ideal for small frames or minimalist desktop displays.

What is the artistic significance of 'Concrete Art' in Max Bill’s work?

Max Bill defined 'Concrete Art' as the visual expression of abstract thought through mathematical precision, rather than abstractions of the physical world.

What was Max Bill’s objective with the 'excentrum' series in 1969?

In 1-4 um excentrum IV, Bill explored the interaction of eccentric circles and geometric offsets to create a dynamic sense of equilibrium and movement.