RedKalion
EASTER AND THE TOTEM - Jackson Pollock Brushed Aluminum Print - 70x100 cm / 28x40 inches | Jackson Pollock Aluminum Print | Jackson Pollock Prints
EASTER AND THE TOTEM - Jackson Pollock Brushed Aluminum Print - 70x100 cm / 28x40 inches | Jackson Pollock Aluminum Print | Jackson Pollock Prints
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Jackson Pollock's 'Easter and the Totem' - Museum-Quality Brushed Aluminum Print
Immerse yourself in the vibrant energy of Jackson Pollock's iconic masterpiece, 'Easter and the Totem.' This exceptional museum-quality reproduction captures the raw power and complex layering that define Pollock's groundbreaking work. Created in 1956, 'Easter and the Totem' is a pivotal piece from his later period, often interpreted as a dialogue between his Abstract Expressionist roots and a more figurative, symbolic approach.
Our premium fine art print is meticulously produced on 3mm thick Brushed Aluminum DIBOND®, featuring a sophisticated horizontal grain. This modern medium enhances the artwork's inherent dynamism, offering a unique metallic finish where unprinted white areas reveal a shimmering silver effect. The direct printing method ensures vivid color reproduction and a beautiful matte, glare-free surface, perfectly suited for the intricate details and bold strokes of this significant Jackson Pollock print.
Experience the depth and texture of 'Easter and the Totem' in a format that combines archival longevity with contemporary elegance. This large-format Jackson Pollock print, measuring 70x100 cm (28x40 inches), is ready to elevate any space, serving as a striking testament to one of the 20th century's most influential artists. Each museum-quality reproduction includes a discreet hanging kit, ensuring effortless installation.
Key Features:
- Artwork: Easter and the Totem by Jackson Pollock
- Material: 3mm Brushed Aluminum DIBOND® with metallic finish and horizontal grain
- Printing: Direct print with vivid colors and matte, glare-free finish
- Dimensions: 70x100 cm / 28x40 inches
- Style: Abstract Expressionism
- Curated by: RedKalion - Museum-quality reproductions
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If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
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What is 'Easter and the Totem' by Jackson Pollock?
Jackson Pollock's 'Easter and the Totem' (1956) is a significant work from his later period, showcasing complex layering and symbolic imagery, representing a unique phase in his artistic development.
What material is this Jackson Pollock print made from?
This museum-quality fine art print is produced on 3mm thick Brushed Aluminum DIBOND®, featuring a unique metallic finish and a subtle horizontal grain for added visual depth.
What are the dimensions of this Jackson Pollock reproduction?
This striking Jackson Pollock print measures 70x100 cm (28x40 inches), providing a substantial and impactful display for any art lover.
How is the artwork printed on the aluminum?
The artwork is printed directly onto the AluDibond material, ensuring vivid colors and a matte, glare-free finish. Unprinted areas reveal a dynamic brushed silver effect.
Is a hanging kit included with this print?
Yes, a discreet hanging kit is included with your Jackson Pollock aluminum print for easy and secure installation.
How does the brushed aluminum affect the artwork's appearance?
The brushed silver finish with a horizontal grain provides a modern, dynamic look. Unprinted white areas have a metallic sheen, enhancing the visual texture of this Jackson Pollock print.
What is the archival quality of this print?
Our direct prints on AluDibond are designed for longevity, offering vibrant, fade-resistant colors on a rigid, archival-grade substrate for enduring display.
Can you tell me more about the artistic period of 'Easter and the Totem'?
'Easter and the Totem' hails from Pollock's later work (1956), a period where he explored deeper symbolic content and renewed figurative elements alongside his signature drip technique.