• Untitled Composition - 1957 - Robert Goodnough 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

Untitled Composition - 1957 - Robert Goodnough 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

Untitled Composition - 1957 - Robert Goodnough 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
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Untitled Composition - 1957 by Robert Goodnough: A Museum-Quality Framed Art Print

Elevate your space with this archival masterpiece—a framed art print of Robert Goodnough's Untitled Composition - 1957. This abstract expressionist work, created during the height of the New York School, captures the dynamic energy and spontaneous gesture that defined the era. Goodnough, a contemporary of artists like Jackson Pollock and Willem de Kooning, employed a unique blend of geometric abstraction and painterly freedom, resulting in a composition that balances structure with raw emotion. The piece evokes a sense of movement and intellectual depth, making it a sophisticated focal point for modern interiors.

RedKalion presents this fine art print as a premium reproduction, meticulously crafted to honor the original's integrity. Printed on 250 gsm (110 lb) archival museum-quality paper with a matte, uncoated finish, it ensures vibrant color fidelity and longevity. The print is elegantly framed in a black wooden frame made from responsibly sourced oak and ash wood, measuring 70x100 cm / 28x40 inches with a substantial 20mm (0.79") thickness for a bold, gallery-worthy presence. Protected by shatterproof plexiglass and including a ready-to-hang kit, this piece arrives prepared to transform your wall with enduring artistry.

  • Frame Material: Responsibly sourced oak and ash wood in a sleek black finish.
  • Frame Dimensions: 20mm thick and wide, offering a robust alternative to classic 14mm frames.
  • Paper Specifications: 250 gsm (110 lb) weight, 0.29 mm (11.4 mils) thickness, matte uncoated natural white archival paper.
  • Protection: Shatterproof plexiglass safeguards the print from damage.
  • Sustainability: FSC-certified materials or equivalent ensure eco-friendly production.
  • Convenience: Includes hanging kit for immediate display.

Trust RedKalion as your curator of world-class reproductions, where expertise in art history meets uncompromising quality in every detail.

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What are the dimensions of this framed art print?

This framed art print measures 70x100 cm or 28x40 inches, with a black wooden frame that is 20mm (0.79") thick and wide, providing a substantial gallery look for your fine art reproduction.

What type of paper is used for this museum-quality print?

We use 250 gsm (110 lb) archival museum-quality paper with a matte, uncoated finish and natural white color, ensuring optimal color reproduction and longevity for your abstract expressionist art print.

Is this framed print ready to hang?

Yes, this ready-to-hang framed art print includes a hanging kit, so you can display it directly on your wall without additional setup, perfect for enhancing your home decor with a Robert Goodnough masterpiece.

How does the frame protect the print?

The frame features shatterproof plexiglass that protects the print from dust, UV light, and physical damage, while the responsibly sourced oak and ash wood construction adds durability to your archival art reproduction.

Is this product environmentally sustainable?

Yes, this framed art print uses FSC-certified materials or equivalent for sustainable paper and responsibly sourced wood, aligning with eco-friendly practices for premium fine art prints.

What is the historical significance of Untitled Composition - 1957?

Created in 1957, this work reflects Robert Goodnough's role in the abstract expressionist movement, blending geometric forms with spontaneous brushwork to capture the innovative spirit of mid-20th century American art.

How does Goodnough's technique influence this composition?

Goodnough employed a unique approach that combined structured abstraction with gestural elements, using layered colors and dynamic shapes to create a balanced yet energetic composition typical of his New York School era.