• 4 Self-distorting Grids - 1965 - Francois Morellet 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

4 Self-distorting Grids - 1965 - Francois Morellet 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

4 Self-distorting Grids - 1965 - Francois Morellet 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
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Experience the Systematic Elegance of 4 Self-distorting Grids (1965)

Step into the world of geometric abstraction with François Morellet’s 4 Self-distorting Grids (1965). As a founding member of the Groupe de Recherche d’Art Visuel (GRAV), Morellet redefined the relationship between the viewer and the canvas through systematic, mathematical rigor. This museum-quality reproduction captures the mesmerizing moiré effects and rhythmic precision that define Morellet's mid-century kinetic masterpieces.

This fine art print is more than a decorative piece; it is an intellectual exploration of visual perception. Morellet utilized "pre-determined rules" to create complexity from simple lines, allowing the "self-distortion" to emerge from the interaction of grids. This 70x100 cm print, housed in a sophisticated black wooden frame, serves as a focal point for any contemporary space, evoking a mood of structural clarity and avant-garde sophistication.

Exquisite Material Quality by RedKalion

At RedKalion, we bridge the gap between historical significance and modern craftsmanship. Our commitment to archival excellence ensures that your 4 Self-distorting Grids print remains a timeless asset in your collection.

  • Archival Museum-Quality Paper: Printed on 250 gsm (110 lb) natural white, uncoated paper with a matte finish to ensure deep blacks and sharp lines without glare.
  • Premium Black Wood Frame: Crafted from responsibly sourced ash/oak, our frames are 20mm (0.79") thick, providing a robust and premium presence compared to standard thin frames.
  • Shatterproof Protection: Each print is shielded by high-clarity, shatterproof plexiglass, ensuring your investment remains pristine for decades.
  • Ready-to-Hang: Your 28x40 inch artwork arrives with a professional hanging kit, allowing you to elevate your interior immediately upon arrival.

RedKalion is dedicated to curating world-class reproductions that honor the artist's original intent. By using FSC-certified materials, we ensure that your appreciation for art aligns with a commitment to the environment. Enrich your home or office with an archival masterpiece that endures through generations.

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What type of paper is used for this François Morellet print?

We use 250 gsm (110 lb) museum-quality, natural white paper. It is uncoated and matte-finished to prevent glare, ensuring the geometric precision of the fine art print is visible from every angle.

What are the specifications of the black wooden frame?

The frame is made from responsibly sourced oak and ash wood. It measures 20mm (0.79") in thickness and width, providing a sturdier, more premium profile than standard 14mm commercial frames.

Is this 4 Self-distorting Grids print ready to hang?

Yes, each framed art print includes a high-quality hanging kit. It is delivered ready-to-hang, allowing you to easily display your new museum-quality reproduction immediately.

How is the artwork protected during shipping and display?

The print is protected by shatterproof, transparent plexiglass. This ensures your artwork arrives safely and remains shielded from dust and physical damage while maintaining perfect clarity.

Is the paper and framing material environmentally sustainable?

Yes. RedKalion uses FSC-certified materials or local equivalents. This ensures that the wood and paper for your fine art print are sourced responsibly for long-term ecological health.

Who was François Morellet and why is he significant?

François Morellet (1926–2016) was a French contemporary artist and a pioneer of Geometric Abstraction. He is celebrated for using mathematical systems and grids to create hypnotic optical and kinetic art.

What does 'Self-distorting' mean in the context of this 1965 work?

Morellet used overlapping grids shifted at specific angles to create 'self-distortion.' This creates moiré patterns—visual interference that makes static lines appear to vibrate or bend as the viewer moves.