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RedKalion

4900 COLOURS 2007 - Gerhard Richter 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

4900 COLOURS 2007 - Gerhard Richter 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

Prezzo di listino $449.99 USD
Prezzo di listino $999.99 USD Prezzo scontato $449.99 USD
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Elevate Your Space with Gerhard Richter’s 4900 Colours (2007)

Experience the pinnacle of contemporary abstraction with this museum-quality reproduction of Gerhard Richter’s iconic 4900 Colours. Originally conceived in 2007, this work represents the ultimate evolution of Richter’s fascination with color charts, a journey that began in 1966. This specific iteration is deeply linked to his monumental stained-glass window for the Cologne Cathedral, utilizing a sophisticated aleatory process—the systematic use of chance—to arrange vibrant hues without subjective bias.

As a fine art print curated by RedKalion, this piece serves as both a conceptual masterwork and a stunning visual centerpiece. Richter’s exploration of objective color placement challenges the viewer to find order in chaos, making it an essential acquisition for collectors of modern and contemporary art.

Archival Materials & Sophisticated Craftsmanship

At RedKalion, we believe a masterpiece deserves an equally masterful presentation. This museum-quality reproduction is printed on 250 gsm (110 lb) archival, natural white paper. The matte, uncoated finish ensures that every one of the vibrant squares is rendered with depth and clarity, free from distracting glare. Unlike standard prints, our paper has a thickness of 0.29 mm (11.4 mils), providing the structural integrity required for a lifetime of display.

The artwork arrives housed in a premium black wooden frame, crafted from responsibly sourced oak and ash. Measuring 20mm (0.79") in width and thickness, our frames offer a more substantial, gallery-grade profile than the common 14mm alternative. Each piece is protected by shatterproof plexiglass, ensuring the safety of your investment while maintaining crystal-clear visibility.

Sustainable Luxury for the Modern Collector

  • Ready-to-hang: Includes a professional hanging kit for immediate installation.
  • FSC-Certified: Our commitment to the environment ensures all materials meet the highest sustainability standards.
  • Longevity: Archival-grade materials prevent yellowing and fading over time.
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What is the quality of the paper used for this Richter print?

We use 250 gsm (110 lb) museum-quality, natural white paper. This heavy-weight, archival-grade material features a matte, uncoated finish to ensure vibrant color reproduction and long-term durability without yellowing.

Is the frame included and what are its dimensions?

Yes, this is a fully framed art print. The frame is crafted from black-stained oak or ash, measuring 20mm (0.79") in thickness and width, providing a premium, substantial gallery look.

How is the artwork protected during shipping and on the wall?

Each print is protected by shatterproof, transparent plexiglass. For shipping, we use robust, specialized packaging to ensure your framed Gerhard Richter print arrives in pristine, gallery-ready condition.

Is the paper sustainably sourced?

Absolutely. RedKalion uses FSC-certified paper and frame materials (or equivalent regional certifications), ensuring that your fine art purchase supports responsible forest management and environmental sustainability.

How do I hang the framed print?

Your 4900 Colours print arrives ready-to-hang. We include a dedicated hanging kit with every order, allowing you to elevate your interior design the moment the package is opened.

What is the significance of 4900 Colours in Richter's career?

4900 Colours (2007) is the culmination of Richter's 'Color Chart' series. It explores the relationship between chance and aesthetic harmony, famously informing his design for the Cologne Cathedral’s south transept window.

Is the color arrangement in the print random?

Richter utilized a chance-based computer program to determine the placement of the 4,900 colored squares. This aleatory technique removes the artist's personal bias, creating an objective, universal exploration of pure color.