
What materials are used for this Victor Pasmore fine art print?
We use 250 gsm (110 lb) archival museum-quality paper. This natural white, matte, uncoated paper ensures longevity and prevents yellowing, maintaining the integrity of Pasmore’s ochre and black tones over time.
What are the specifications of the black wooden frame?
The print is mounted in a 20mm (0.79") thick and wide black frame made from solid oak or ash. This is wider than standard frames, providing a premium, gallery-style aesthetic for your home.
Is the artwork ready to hang upon arrival?
Yes. Every RedKalion framed print includes a pre-installed hanging kit. The artwork is delivered ready to hang, so you can transform your interior space immediately without additional hardware.
How is the print protected during shipping and display?
We use shatterproof, transparent plexiglass to protect the artwork. This provides the clarity of glass with added durability, ensuring your investment arrives in perfect condition and remains safe on your wall.
Is this reproduction environmentally friendly?
Sustainability is core to our mission. We use FSC-certified paper and wood, or local equivalent certifications, ensuring that your fine art print is produced with respect for global forest resources.
What is the significance of the year 1962 in Pasmore’s career?
By 1962, Victor Pasmore had fully embraced 'Constructive Art.' This period is marked by his transition from the 'St Ives' influence to a more linear and geometric exploration of space and form.
Why is the color palette of White, Black, and Ochre important?
Pasmore used this palette to emphasize form over subject. The ochre provides a natural, earthy counterpoint to the synthetic precision of the black lines, creating a bridge between nature and modern abstraction.