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Area of a pentagon in space with plain circumference - 1977 By Max Bill Pack of 10 Post Cards | Max Bill Post Cards | A6 (10.5 x 14.8 cm) - 4.1 x 5.8 inches

Area of a pentagon in space with plain circumference - 1977 By Max Bill Pack of 10 Post Cards | Max Bill Post Cards | A6 (10.5 x 14.8 cm) - 4.1 x 5.8 inches

Prezzo di listino $35.99 USD
Prezzo di listino $61.49 USD Prezzo scontato $35.99 USD
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A Masterpiece of Concrete Art: Max Bill’s Geometric Precision

Elevate your correspondence or curate a miniature gallery with this exquisite pack of 10 post cards featuring Max Bill’s 'Area of a pentagon in space with plain circumference - 1977'. As a primary exponent of Concrete Art and a former student of the Bauhaus, Max Bill utilized mathematical logic to create aesthetic harmony. This specific work explores the spatial dynamics of the pentagon, translating complex geometric ratios into a visual language of absolute clarity and balance.

RedKalion is proud to present these museum-quality reproductions, meticulously crafted to honor Bill's legacy of precision. Unlike standard mass-produced stationery, these post cards utilize advanced 12-color fine art printing technology. This process ensures that the subtle shifts in tone and the razor-sharp lines of Bill’s geometric vision are rendered with stunning depth and accuracy, far surpassing the limitations of traditional 4-color printing.

Premium Specifications for the Discerning Collector

  • Exceptional Color Fidelity: Our 12-color archival process delivers vivid, museum-grade results.
  • Archival Paper: Printed on 200 gsm (80 lb) paper with a thickness of 0.26 mm for a substantial, premium feel.
  • Sophisticated Finish: A smooth matte coating ensures a glare-free display, perfect for framing or writing.
  • Sustainable Excellence: Every card is printed on FSC-certified, environmentally conscious paper.
  • Perfectly Proportioned: A6 size (10.5 x 14.8 cm) — the ideal format for an archival masterpiece that endures.

By choosing RedKalion, you are investing in a reproduction that respects the integrity of the original 1977 composition. These are not merely post cards; they are archival-grade invitations to explore the intersection of mathematics and art.

Visualizza dettagli completi
What distinguishes RedKalion's Max Bill post cards from standard prints?

RedKalion uses 12-color fine art printing technology, providing superior color vibrancy and depth compared to standard 4-color inkjet prints. This ensures Max Bill’s geometric precision is captured with museum-quality accuracy.

What paper weight and finish are used for these geometric art cards?

These cards are printed on professional-grade 200 gsm (80 lb) paper with a thickness of 0.26 mm. The smooth matte finish ensures a clean, glare-free aesthetic that highlights the artwork's details.

How does the 12-color printing technology enhance Max Bill's color palette?

The 12-color process utilizes a wider gamut of pigments, allowing for smoother gradients and more precise color matching. This is essential for capturing the exact mathematical tones Max Bill intended in 1977.

Are these post cards produced using sustainable practices?

Yes. RedKalion is committed to sustainability. These Max Bill post cards are printed on FSC-certified paper, ensuring the materials are sourced from responsibly managed forests.

How are the post cards shipped to ensure they arrive in pristine condition?

Each pack of 10 post cards is printed on demand and packaged using protective materials to prevent bending or moisture damage, ensuring your archival masterpieces arrive in gallery-ready condition.

What is the significance of the pentagon in Max Bill's 1977 work?

Max Bill viewed geometry as a universal language. The pentagon in 'Area of a pentagon in space' represents his exploration of mathematical 'concreteness,' where the form itself is the primary subject rather than a representation of nature.

Did Max Bill belong to a specific artistic movement?

Max Bill was a pioneer of the Concrete Art movement. Following his studies at the Bauhaus, he advocated for art based on mathematical logic and structural clarity, seeking to create objective beauty.