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    Burnt Umber and Ultramarine - 1973 - Yun Hyong-keun Art Prints - 100x150 cm / 40x60″ inches | Yun Hyong-keun Poster | Yun Hyong-keun Prints

    Burnt Umber and Ultramarine - 1973 - Yun Hyong-keun Art Prints - 100x150 cm / 40x60″ inches | Yun Hyong-keun Poster | Yun Hyong-keun Prints

    $599.99 USD
    $1,399.99 USD $599.99 USD
    In offerta Esaurito

    Yun Hyong-keun’s Burnt Umber and Ultramarine – 1973: A Monumental Minimalist Masterpiece

    Elevate your space with this museum-quality fine art print of Burnt Umber and Ultramarine – 1973, a defining work by the revered Korean abstract painter Yun Hyong-keun. This 100x150 cm (40x60″) archival reproduction captures the raw emotional power and meditative depth of Hyong-keun’s signature style—where earthy burnt umber and celestial ultramarine converge in a dialogue of light, shadow, and existential silence.

    The Artwork: A Meditation on Time and Transcendence

    Created in 1973, Burnt Umber and Ultramarine embodies Yun Hyong-keun’s lifelong exploration of Dansaekhwa (Korean monochrome painting), a movement that stripped art to its essence. The vertical bands of pigment, meticulously layered and blurred at the edges, evoke the passage of time—like weathered wood or the slow erosion of stone. Hyong-keun once described his process as "painting the gate of heaven and earth," and this work is a testament to that philosophy: a threshold between the tangible and the infinite.

    Why This Print Belongs in Your Collection

    • Museum-Quality Reproduction: Printed on RedKalion’s Master’s Edition archival paper, an off-white, uncoated 250 gsm (110 lb) sheet with a velvety matte finish. The natural white tone enhances the depth of Hyong-keun’s pigments, while the acid-free composition (pH above 7) ensures your print remains vibrant for generations.
    • Ethical and Sustainable: Crafted on FSC-certified paper, this print aligns with your values without compromising on luxury. The 0.29 mm (11.4 mils) thickness lends a substantial, gallery-worthy presence to your walls.
    • Versatile Elegance: Whether displayed in a minimalist loft, a corporate boardroom, or a serene home gallery, the 100x150 cm (40x60″) scale of this print commands attention while harmonizing with any aesthetic. Its understated grandeur makes it a timeless addition to spaces that demand sophistication.

    RedKalion: Your Curator of Archival Excellence

    At RedKalion, we don’t just sell prints—we preserve the legacy of artists like Yun Hyong-keun. Our Master’s Edition archival paper is selected for its ability to render every nuance of the original, from the velvety texture of the pigments to the subtle interplay of light and shadow. This is not a poster; it’s a fine art print designed to endure as a cherished heirloom.

    Bring the quiet power of Burnt Umber and Ultramarine – 1973 into your world. This is more than art—it’s a portal to contemplation, a fragment of history, and a testament to the enduring allure of minimalism.

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    Discover Unlimited Art Possibilities

    At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.

    If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.

    For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.

    For custom requests, contact us at support@redkalion.com .

    What is the significance of Burnt Umber and Ultramarine – 1973 by Yun Hyong-keun?

    Burnt Umber and Ultramarine – 1973 is a seminal work in the Dansaekhwa movement, showcasing Yun Hyong-keun’s mastery of monochrome abstraction. The interplay of earthy and celestial pigments reflects his exploration of time, nature, and existential themes, making it a cornerstone of Korean modern art.

    What type of paper is used for this fine art print?

    This print is crafted on RedKalion’s Master’s Edition archival paper, an off-white, uncoated 250 gsm (110 lb) sheet with a matte finish. It’s acid-free (pH above 7) and FSC-certified for sustainability, ensuring longevity and museum-quality reproduction.

    How large is the 100x150 cm print in inches?

    The 100x150 cm print measures approximately 40x60 inches, offering a commanding yet versatile scale for residential or commercial spaces.

    Is this print suitable for framing?

    Absolutely. The 0.29 mm (11.4 mils) thickness and matte finish of our archival paper make it ideal for framing. We recommend using UV-protective glass to preserve the print’s vibrancy.

    How does RedKalion ensure the print’s archival quality?

    Our museum-quality reproductions are printed on acid-free, FSC-certified paper with archival inks. The paper’s pH above 7 prevents yellowing, ensuring your Yun Hyong-keun print remains pristine for decades.

    What is the shipping process for this large print?

    We ship 100x150 cm prints in sturdy, protective tubes to prevent damage. Shipping times vary by location, but tracking is provided for all orders. International duties may apply.

    Can I return or exchange this print if I’m not satisfied?

    RedKalion offers a 30-day satisfaction guarantee. If your fine art print arrives damaged or doesn’t meet expectations, contact us for a replacement or refund. Original packaging must be retained.

    What inspired Yun Hyong-keun’s use of burnt umber and ultramarine?

    Yun Hyong-keun drew inspiration from nature and Korean philosophy. Burnt umber symbolizes earth and mortality, while ultramarine represents the heavens. Their juxtaposition reflects his belief in the unity of opposites, a core tenet of his work.