• 121268 - 1969 - John Hoyland 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

121268 - 1969 - John Hoyland 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

121268 - 1969 - John Hoyland 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
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Elevate Your Space with John Hoyland’s '121268 - 1969'

Immerse yourself in the zenith of British abstraction with this 1969 masterpiece by John Hoyland. As one of the most influential British painters of the 20th century, Hoyland’s work from the late 1960s represents a pivotal shift from his earlier stained canvases toward more architectural, slab-like compositions. This museum-quality reproduction captures the depth and chromatic intensity of the original work, offering a sophisticated focal point for any modern interior.

The Artistry of 1969

By 1969, Hoyland was exploring the 'push-pull' dynamics of color, creating a sense of three-dimensional space through the interaction of bold, rectilinear forms. The title '121268 - 1969' follows his systematic approach to nomenclature, signifying the precise moment of its conception. This piece showcases his mastery of balance and tension, rendered with a palette that evokes both structural strength and ethereal light. This fine art print allows you to experience the tactile presence of Hoyland’s vision in your own private collection.

RedKalion’s Archival Excellence

At RedKalion, we curate more than just images; we preserve the integrity of art history. Our archival-grade reproductions are crafted to endure for generations. This print is produced on 250 gsm (110 lb) natural white paper, featuring a matte, uncoated finish that eliminates glare and highlights the nuanced textures of the paint. The result is a vibrant, life-like reproduction that honors the artist's original intent.

Premium Framing & Sustainability

Your artwork arrives in a professional 20mm (0.79") thick black wooden frame, crafted from responsibly sourced oak and ash. This substantial frame profile offers a more robust aesthetic than standard alternatives, ensuring the piece commands attention on your wall. Protected by shatterproof plexiglass and including a complete hanging kit, this ready-to-hang art print seamlessly integrates museum-standard quality into your home or office.

  • Paper: Archival 250 gsm (110 lb) museum-quality paper.
  • Frame: FSC-certified black oak and ash wood.
  • Protection: High-clarity shatterproof plexiglass.
  • Longevity: Acid-free materials prevent yellowing over time.
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What defines the quality of this John Hoyland art print?

This is a museum-quality reproduction printed on 250 gsm (110 lb) archival paper. The matte finish and high-density pigments ensure a vibrant, non-reflective representation of Hoyland's 1960s abstract color palette.

What is the framing material used?

The frame is constructed from 20mm (0.79") thick responsibly sourced oak and ash wood. This premium width provides better stability and a more luxurious aesthetic than typical gallery frames.

Is the paper used for this reproduction sustainable?

Yes, RedKalion uses FSC-certified materials or equivalent certifications. Our 250 gsm paper is natural white, uncoated, and sourced from sustainable forests to minimize environmental impact.

How is the artwork protected during display?

Each print is shielded by premium shatterproof plexiglass. This provides the clarity of glass while ensuring safety and protecting the archival paper from environmental damage and dust.

Is the frame ready to hang upon arrival?

Absolutely. Your John Hoyland print comes fully assembled in its black wooden frame with a hanging kit included, allowing for immediate installation in your preferred space.

What is the significance of the title '121268 - 1969'?

John Hoyland often used numbers and dates for titles to avoid imposing a literal narrative. This allows the viewer to focus purely on the interaction of color, scale, and form.

How does Hoyland’s 1969 work differ from his earlier pieces?

In 1969, Hoyland moved away from thin, stained color washes toward thicker, more structural 'slabs' of color, creating a more architectural and physical presence on the canvas.