• BOMBERS 1963 - Gerhard Richter Brushed Aluminum Print - 70x100 cm / 28x40 inches | Gerhard Richter Aluminum Print | Gerhard Richter Prints
  • BOMBERS 1963 - Gerhard Richter Brushed Aluminum Print - 70x100 cm / 28x40 inches | Gerhard Richter Aluminum Print | Gerhard Richter Prints
  • BOMBERS 1963 - Gerhard Richter Brushed Aluminum Print - 70x100 cm / 28x40 inches | Gerhard Richter Aluminum Print | Gerhard Richter Prints
  • BOMBERS 1963 - Gerhard Richter Brushed Aluminum Print - 70x100 cm / 28x40 inches | Gerhard Richter Aluminum Print | Gerhard Richter Prints
  • BOMBERS 1963 - Gerhard Richter Brushed Aluminum Print - 70x100 cm / 28x40 inches | Gerhard Richter Aluminum Print | Gerhard Richter Prints
  • BOMBERS 1963 - Gerhard Richter Brushed Aluminum Print - 70x100 cm / 28x40 inches | Gerhard Richter Aluminum Print | Gerhard Richter Prints
  • BOMBERS 1963 - Gerhard Richter Brushed Aluminum Print - 70x100 cm / 28x40 inches | Gerhard Richter Aluminum Print | Gerhard Richter Prints
  • BOMBERS 1963 - Gerhard Richter Brushed Aluminum Print - 70x100 cm / 28x40 inches | Gerhard Richter Aluminum Print | Gerhard Richter Prints
1 8

RedKalion

BOMBERS 1963 - Gerhard Richter Brushed Aluminum Print - 70x100 cm / 28x40 inches | Gerhard Richter Aluminum Print | Gerhard Richter Prints

BOMBERS 1963 - Gerhard Richter Brushed Aluminum Print - 70x100 cm / 28x40 inches | Gerhard Richter Aluminum Print | Gerhard Richter Prints

$399.99 USD
$899.99 USD $399.99 USD
セール 売り切れ

Elevate Your Collection with Gerhard Richter’s 'Bombers' (1963) on Brushed Aluminum

Experience the intersection of history and modern industrial aesthetics with Gerhard Richter’s Bombers 1963. This iconic masterpiece from Richter’s seminal 'Photo-painting' period captures a fleet of B-17 bombers in a state of haunting, blurred motion. As a premier destination for museum-quality reproductions, RedKalion presents this work on an innovative medium that perfectly complements Richter's objective, detached style.

The Artistic Significance of 'Bombers'

In 1963, Gerhard Richter began projecting photographs onto canvases and meticulously tracing them, only to blur the wet paint with a squeegee or brush. This technique, known as sfumato, challenges the viewer's perception of reality and memory. 'Bombers' serves as a profound meditation on the mechanical nature of war and the cooling of photographic truth. By removing the artist’s hand through the blur, Richter created a chilling, industrial atmosphere that defined German contemporary art.

The RedKalion Archival Standard

To honor Richter’s vision, we have curated this Gerhard Richter Aluminum Print using 3mm (0.12") brushed silver Aluminum DIBOND®. This material offers a rigid, durable base that mimics the industrial essence of the subject matter. The horizontal grain of the metal interacts with ambient light, providing a dynamic depth that traditional paper cannot achieve. The white areas of the original composition are left unprinted, allowing the metallic silver effect of the aluminum to emerge, creating a sophisticated, high-contrast finish.

  • Material: 3mm Brushed Aluminum DIBOND® with a matte, glare-free finish.
  • Visual Depth: Horizontal grain for a dynamic, contemporary look.
  • Archival Quality: Direct-to-substrate printing ensures vivid colors and long-term stability.
  • Ready to Display: Includes a professional hanging kit tailored to your location.

Invest in an archival masterpiece that bridges the gap between mid-century avant-garde and 21st-century luxury. This 70x100 cm (28x40 inches) edition is designed for those who appreciate the gravity of art history and the precision of modern craftsmanship.

詳細を表示する

Discover Unlimited Art Possibilities

At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.

If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.

For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.

For custom requests, contact us at support@redkalion.com .

What is the significance of 'Bombers' 1963 in Gerhard Richter's career?

'Bombers' (1963) is a definitive example of Richter’s Photo-painting style. It represents his exploration of the 'blur' to question the objectivity of images. This Gerhard Richter print captures the chilling, mechanical nature of history through a sophisticated, detached aesthetic.

How does the brushed aluminum finish enhance this Gerhard Richter print?

The brushed silver Aluminum DIBOND® provides a horizontal grain that adds motion to the aircraft imagery. The matte, glare-free finish ensures the artwork remains the focal point, while the metallic silver effect in unprinted areas adds a unique, industrial luxury.

What are the physical specifications of this fine art reproduction?

This print is crafted on 3mm (0.12") thick Aluminum DIBOND®. It features a direct-print matte finish for vivid, archival-grade colors. The 70x100 cm (28x40 inches) format provides a commanding presence for modern interiors.

Is the hanging hardware included with the artwork?

Yes, RedKalion includes a professional hanging kit with every Gerhard Richter aluminum print. The specific kit provided is optimized based on the fulfillment country to ensure a secure, gallery-standard installation.

How does RedKalion ensure the archival longevity of the print?

We use archival-grade inks and direct-to-material printing technology on premium AluDibond. This process ensures the artwork is UV-resistant and durable, maintaining its museum-quality appearance for decades without fading or warping.

How is the artwork protected during shipping?

RedKalion utilizes specialized, high-security packaging for all fine art prints. Your aluminum reproduction is secured in reinforced materials to prevent scratches or structural damage during transit, ensuring it arrives in pristine condition.

Why did Gerhard Richter use a blurred effect in the original 1963 work?

Richter used the blur to distance the viewer from the literal subject matter, transforming a historical photograph into an abstract meditation. This technique emphasizes the uncertainty of memory and the mechanical nature of the photographic medium.