• 67F2 - 1967 - Martin Barre 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

67F2 - 1967 - Martin Barre 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

67F2 - 1967 - Martin Barre 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
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Elevate Your Space with Martin Barré’s 1967-F-2 Masterpiece

Experience the radical minimalism of the French avant-garde with this museum-quality reproduction of Martin Barré’s 67-F-2 (1967). This significant work represents a pivotal moment in abstract art history, where Barré abandoned the traditional brush in favor of aerosol spray paint to explore the tension between line, space, and the canvas surface. At RedKalion, we have meticulously curated this 70x100 cm (28x40 inches) framed art print to preserve the delicate, ethereal quality of the original spray-painted lines.

The Artistic Significance of Martin Barré

Martin Barré was a master of restraint. In his 1967 series, he utilized the spray can to create fleeting, atmospheric gestures that challenge the viewer's perception of the void. This piece is not merely a visual element; it is a conceptual exploration of space. By introducing this fine art print into your collection, you are celebrating an era of French abstraction that prioritized process and spatial dynamics over decorative art.

Uncompromising Quality and Archival Integrity

At RedKalion, our mission is to provide archival-grade reproductions that endure for generations. This museum-quality print is produced on premium 250 gsm (110 lb) natural white paper. The matte, uncoated finish eliminates glare, allowing the sophisticated nuances of Barré’s composition to shine. Each print is housed in a professional black wooden frame, crafted from responsibly sourced ash wood with a substantial 20mm profile for a contemporary, premium aesthetic.

  • Archival Museum-Quality Paper: 250 gsm weight with a thickness of 0.29 mm for a luxurious feel.
  • Premium Framing: 20mm thick black wooden frame made from FSC-certified materials.
  • Shatterproof Protection: High-clarity plexiglass ensures the artwork remains pristine and protected.
  • Ready to Hang: Each order includes a pre-installed hanging kit for immediate installation.
  • Sustainable Production: Responsibly sourced materials that align with elite environmental standards.

Enhance your interior with a piece that speaks to the intellect and the eye alike. This Martin Barré reproduction is more than a print—it is a sophisticated statement of artistic heritage and meticulous craftsmanship.

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What makes the Martin Barré 67-F-2 print a museum-quality reproduction?

Our reproductions use 250 gsm archival-grade paper and high-fidelity printing techniques to capture the specific textures and nuances of Martin Barré’s 1967 aerosol series, ensuring a gallery-standard aesthetic for your home.

What are the specifications of the frame used for this print?

The print is housed in a 20mm thick and wide black wooden frame, crafted from responsibly sourced ash or oak. It is wider than standard frames, providing a more robust and premium appearance.

What type of paper finishing is used for this fine art print?

We use matte, uncoated, natural white paper that is FSC-certified. This 250 gsm (110 lb) paper provides a non-reflective, sophisticated finish that highlights the minimalist details of the artwork.

Is the artwork protected against damage during shipping and display?

Yes, each print is protected by shatterproof plexiglass, which offers clarity and safety. The frame and print are packaged securely to ensure they arrive in perfect condition, ready to hang.

How does the archival quality ensure longevity?

By using acid-free, museum-quality paper and UV-resistant materials, RedKalion prints are designed to resist yellowing and fading, allowing the 67-F-2 composition to remain vibrant for decades.

What was Martin Barré's specific technique in 1967?

In 1967, Barré utilized aerosol spray paint to create 'spatial' lines. This technique allowed him to move away from the 'hand' of the artist and explore the physical interaction between the paint mist and the canvas.

Why is '67-F-2' significant in the context of French abstraction?

This work is a cornerstone of minimalist conceptualism. It demonstrates the transition from traditional painting to a more systematic, architectural approach to art, making it a highly sought-after subject for serious art collectors.