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RedKalion

ABSTRACTION 1963 - Milton Resnick 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

ABSTRACTION 1963 - Milton Resnick 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

정가 $449.99 USD
정가 $999.99 USD 할인가 $449.99 USD
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Experience the Luminous Depth of Milton Resnick’s Abstraction 1963

Step into the profound, atmospheric world of Milton Resnick with this museum-quality reproduction of Abstraction 1963. A central figure of the Second Generation Abstract Expressionists and a veteran of the New York School, Resnick moved beyond the gestural spontaneity of his peers toward a dense, 'all-over' painting style. This 1963 masterpiece captures a pivotal moment where light and texture coalesce, offering a meditative experience that transforms any interior into a private gallery space.

At RedKalion, we honor the integrity of Resnick’s vision by utilizing archival museum-quality paper. Every detail of the original’s complex surface is preserved on 250 gsm (110 lb) natural white paper. The matte, uncoated finish ensures a glare-free viewing experience, allowing the subtle nuances of color and form to resonate with the same intensity as the original canvas at the peak of the 20th-century avant-garde.

Premium Craftsmanship for the Discerning Collector

This fine art print is presented in a sophisticated black wooden frame, meticulously crafted from responsibly sourced oak and ash. Unlike standard commercial frames, our professional-grade molding measures 20mm (0.79") in both thickness and width, providing a bold, architectural presence on your wall. Protected by shatterproof plexiglass, your investment remains pristine for generations.

  • Artist: Milton Resnick (New York School)
  • Paper: Heavyweight 250 gsm archival-grade, FSC-certified.
  • Frame: Sustainably sourced solid wood with a premium 20mm profile.
  • Ready-to-Hang: Includes a complete hanging kit for immediate installation.
  • Durability: Acid-free materials ensure the print will not yellow or fade over time.

Elevate your environment with an archival masterpiece that endures. RedKalion’s commitment to premium materials ensures that this Milton Resnick reproduction provides an authentic, museum-standard aesthetic for your home or office.

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What is the quality of the paper used for this Milton Resnick print?

We use 250 gsm (110 lb) archival museum-quality paper. This heavyweight, natural white paper is acid-free and uncoated, ensuring that the colors of Abstraction 1963 remain vibrant and do not yellow over time.

Is the frame included with Abstraction 1963 sustainably sourced?

Yes, our frames are made from responsibly sourced oak and ash wood, which are FSC-certified. This ensures your Milton Resnick art print is framed in materials that meet the highest environmental and social standards.

How is the artwork protected during shipping and display?

Each framed print is protected by shatterproof, transparent plexiglass. This provides the clarity of glass with superior durability, ensuring your Milton Resnick reproduction arrives safely and remains protected from dust and damage.

What mounting hardware is provided with the framed print?

Every order includes a ready-to-hang kit. The frame is designed for easy installation, allowing you to mount your 70x100 cm Milton Resnick piece directly onto your wall without needing additional supplies.

How long will this archival-grade print last?

Designed for longevity, our prints utilize archival materials and acid-free paper. When kept out of direct sunlight, these museum-quality reproductions are engineered to last for decades without fading or degradation.

Who was Milton Resnick and why is Abstraction 1963 significant?

Milton Resnick was a legendary Abstract Expressionist known for his 'all-over' painting technique. Abstraction 1963 represents a shift toward dense, monochromatic textures that emphasize the physical presence of paint and light.

What characterizes the style of Milton Resnick's work in the 1960s?

In the 1960s, Resnick moved away from active brushwork toward thick, impasto surfaces. His work became a meditation on color density, creating an atmospheric 'field' that envelops the viewer's peripheral vision.