• ARABS I CEMETERY 1909 - Wassily Kandinsky 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

ARABS I CEMETERY 1909 - Wassily Kandinsky 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

ARABS I CEMETERY 1909 - Wassily Kandinsky 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
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The Spiritual Resonance of Wassily Kandinsky’s Arabs I Cemetery (1909)

Elevate your interior with a museum-quality reproduction of Wassily Kandinsky’s Arabs I Cemetery (1909). This seminal work captures the pioneer of abstraction at a pivotal moment in his career. Transitioning from the decorative impulses of Art Nouveau toward the spiritual depth of Expressionism, Kandinsky utilizes vibrant, non-naturalistic hues to evoke a sense of transcendental calm. The composition, inspired by his travels to North Africa, replaces literal representation with rhythmic forms and a saturated palette, making it a cornerstone of early 20th-century modernism.

A Masterpiece of Archival Craftsmanship

At RedKalion, we curate our prints for the discerning collector. This fine art print is rendered on premium 250 gsm (110 lb) museum-quality paper. The archival-grade, natural white paper features a sophisticated matte, uncoated finish that eliminates glare while preserving the depth of Kandinsky’s color theory. Unlike standard reproductions, our 0.29 mm thick paper ensures a substantial, tactile presence that prevents warping over time, ensuring your investment remains an enduring focal point in your home or gallery.

Premium Framing and Sustainable Design

This exquisite piece arrives in a handcrafted black frame made from responsibly sourced oak and ash wood. Measuring 20mm (0.79") in both thickness and width, the frame provides a robust, contemporary profile that surpasses the standard 14mm alternatives. To ensure longevity and safety, each print is protected by shatterproof plexiglass, providing crystal-clear visibility while safeguarding the artwork from UV damage and environmental factors. We utilize FSC-certified materials, aligning artistic beauty with ecological responsibility.

  • Artist: Wassily Kandinsky (1909)
  • Print Surface: 250 gsm museum-quality, acid-free paper
  • Frame: 20mm solid black wood (Oak/Ash)
  • Protection: Shatterproof plexiglass for archival safety
  • Installation: Ready-to-hang with included hardware
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What paper quality is used for this Kandinsky reproduction?

We use 250 gsm (110 lb) archival museum-quality paper. It is a natural white, uncoated matte paper with a thickness of 0.29 mm, designed to prevent yellowing and ensure the longevity of the fine art print.

How is the frame constructed?

The frame is crafted from solid, responsibly sourced oak and ash wood. It measures 20mm wide and thick, offering a premium, substantial look compared to standard frames, and is finished in a sophisticated black.

Is the artwork ready to hang upon arrival?

Yes, your framed Kandinsky print arrives fully assembled. It includes a specialized hanging kit, allowing you to mount this masterpiece on your wall immediately upon unboxing.

How is the print protected from damage?

Each frame is fitted with shatterproof, transparent plexiglass. This provides the clarity of glass while offering superior durability and protection against breakage and dust for your museum-quality reproduction.

Are the materials used in this product sustainable?

RedKalion is committed to sustainability. We use FSC-certified paper and wood or equivalent certifications, ensuring that your art print is produced with environmental responsibility in mind.

What inspired Kandinsky to paint 'Arabs I Cemetery' in 1909?

The painting was influenced by Kandinsky’s 1904-1905 travels to Tunisia. By 1909, he revisited these memories to explore the spiritual and rhythmic qualities of color, moving away from representational accuracy toward pure expression.

Why is this specific piece significant in art history?

'Arabs I Cemetery' marks a vital transition in Expressionism. It demonstrates Kandinsky’s early experiments with flat planes of color and simplified forms, which eventually led to the birth of total abstraction.