• BLUE RED BLACK AND WHITE 1961 - Esteban Vicente 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

BLUE RED BLACK AND WHITE 1961 - Esteban Vicente 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

BLUE RED BLACK AND WHITE 1961 - Esteban Vicente 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
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An Abstract Masterpiece: Blue Red Black and White 1961 by Esteban Vicente

Experience the lyrical abstraction of the mid-twentieth century with this museum-quality reproduction of Blue Red Black and White 1961 by the Spanish-American master, Esteban Vicente. As a prominent member of the first generation of the New York School, Vicente was celebrated for his ability to translate emotion through color and form. This specific piece captures a pivotal moment in 1961 when Vicente's exploration of spatial relationships and atmospheric depth reached a sophisticated zenith.

The RedKalion Archival Standard

At RedKalion, we treat fine art with the reverence it deserves. This framed art print is more than a mere copy; it is an archival-grade reproduction designed to bring the gallery experience into your home. Each print is produced on 250 gsm (110 lb) natural white museum-quality paper with a matte, uncoated finish that eliminates glare while preserving the subtle texture of Vicente's original brushwork.

  • Sustainably Crafted: We utilize FSC-certified (or equivalent) oak and ash wood for our frames, ensuring environmental responsibility.
  • Premium Framing: The artwork is housed in a professional 20mm (0.79") thick black wooden frame, providing a more robust and elegant profile than standard commercial frames.
  • Superior Protection: A layer of shatterproof, transparent plexiglass protects the archival paper from dust and damage.
  • Ready to Display: Your artwork arrives with a pre-installed hanging kit, allowing for immediate installation.

Art Historical Context: The Lyrical Colorist

Esteban Vicente’s 1961 works are often characterized by their 'luminous geometry.' Unlike some of his contemporaries who favored aggressive gestures, Vicente focused on the harmony between disparate shapes. In this composition, the bold interplay of blue, red, black, and white creates a rhythmic balance that expands the visual boundaries of the canvas. This reproduction allows you to appreciate the nuanced layers and 'breathing room' that define Vicente's unique contribution to Abstract Expressionism.

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What paper quality is used for the Esteban Vicente print?

We use 250 gsm (110 lb) archival museum-quality paper. It is natural white, uncoated, and matte to ensure long-lasting color fidelity and a premium, glare-free aesthetic for your fine art print.

Is the black wooden frame sustainably sourced?

Yes, all RedKalion frames are crafted from responsibly sourced oak and ash wood, carrying FSC certification or equivalent standards to ensure your decor choice supports global forest sustainability.

How is the artwork protected during shipping?

Every framed print is shielded by shatterproof plexiglass and packaged securely to ensure it arrives in pristine condition. We prioritize both safety and archival longevity in our shipping materials.

What are the dimensions of the frame itself?

Our premium black wooden frame measures 20mm (0.79") in both width and thickness. This provides a substantial, sophisticated profile that is significantly sturdier than the 14mm frames common in mass-market art prints.

Will my print be ready to display upon arrival?

Absolutely. Every framed Esteban Vicente print includes a high-quality hanging kit, making it ready to hang directly on your wall the moment it is unpacked.

What is the significance of the year 1961 in Esteban Vicente’s career?

1961 was a peak year for Vicente’s integration into the New York School. During this era, his work achieved a perfect balance between European structural sensibility and American Abstract Expressionist spontaneity.

How does Vicente utilize the colors blue, red, black, and white in this composition?

Vicente uses these primary and neutral tones to create spatial depth. The black and white provide structure, while the blue and red act as emotive anchors, creating a rhythmic, atmospheric harmony.