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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What is the historical significance of Edward Ruscha's FLASH L A TIMES 1963?
Created in 1963, this work exemplifies Ruscha's Pop Art style, using newspaper headlines to critique media culture in Los Angeles, blending text and image for profound cultural commentary.
What are the specifications of the post cards in this pack?
Each post card measures A6 (10.5 x 14.8 cm / 4.1 x 5.8 inches), printed on 200 gsm FSC-certified paper with a smooth matte finish, using 12-color fine art printing for vivid colors.
How does the printing technology ensure color vibrancy?
Our 12-color fine art printing delivers accurate, vivid colors with stunning depth, far beyond standard 4-color inkjet, ensuring museum-quality reproductions of Edward Ruscha's artwork.
Are these post cards eco-friendly and archival?
Yes, printed on environmentally conscious, FSC-certified 200 gsm paper, these post cards offer archival longevity and are perfect for fine art prints or gifting.
What is the paper weight and finish of these post cards?
The post cards feature a 200 gsm (80 lb) weight with a 0.26 mm thickness and smooth matte finish, providing a clean, glare-free display for any occasion.
Can I order a custom quantity or size?
This pack includes 10 post cards in A6 size; it's printed on demand with no minimum orders, but custom sizes may be available—contact us for details on fine art prints.
How does Ruscha's use of text enhance this artwork?
Ruscha integrates newspaper text to create ironic juxtapositions, reflecting 1960s media saturation and making FLASH L A TIMES 1963 a key piece in Pop Art history.
