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RedKalion

Untitled - 1962 N3 - Brice Marden 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

Untitled - 1962 N3 - Brice Marden 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

정가 $449.99 USD
정가 $999.99 USD 할인가 $449.99 USD
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Untitled - 1962 N3 - Brice Marden: A Minimalist Masterpiece

Elevate your space with this museum-quality framed art print of Brice Marden's "Untitled - 1962 N3", a seminal work from the artist's early minimalist period. This archival reproduction captures the raw, contemplative essence of Marden's exploration into monochrome abstraction, where subtle textures and restrained color fields invite deep reflection. As a leading figure in post-minimalism, Marden's work from this era bridges the gap between abstract expressionism and conceptual art, making this piece a sophisticated statement for modern interiors.

RedKalion presents this fine art print with uncompromising quality. Printed on 250 gsm (110 lb) matte, uncoated, natural white archival museum-quality paper—ensuring longevity and a tactile, gallery-worthy finish—the artwork is protected by shatterproof plexiglass and framed in a responsibly sourced oak and ash wood frame. The 20mm (0.79") thick and wide black wooden frame offers a bold, contemporary profile, wider than classic 14mm frames, enhancing the minimalist aesthetic. This ready-to-hang piece includes a hanging kit for immediate display, allowing you to bring a touch of art historical significance into your home or office.

Expert Insight: Marden's "Untitled - 1962 N3" exemplifies his early use of wax and oil mixtures to create dense, layered surfaces that subtly shift with light, a technique that foreshadowed his later, more gestural works. This reproduction honors that tactile quality, making it an ideal choice for collectors seeking authentic, enduring art.

  • Dimensions: 70x100 cm / 28x40 inches (framed)
  • Frame: Black wooden frame made from responsibly sourced oak and ash, 20mm thick and wide
  • Paper: 250 gsm (110 lb), 0.29 mm (11.4 mils) thickness, matte, uncoated, natural white, archival museum-quality, FSC-certified or equivalent
  • Protection: Shatterproof plexiglass
  • Ready-to-Hang: Includes hanging kit
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What are the specifications of the Brice Marden "Untitled - 1962 N3" framed art print?

This fine art print measures 70x100 cm / 28x40 inches framed, with a 20mm thick black wooden frame made from responsibly sourced oak and ash, 250 gsm archival museum-quality paper, shatterproof plexiglass, and includes a hanging kit for ready-to-hang display.

Is the paper used for this print archival and sustainable?

Yes, the print uses 250 gsm matte, uncoated, natural white archival museum-quality paper that is FSC-certified or equivalent, ensuring longevity and eco-friendly materials for your Brice Marden reproduction.

How does the frame enhance this Brice Marden artwork?

The 20mm thick and wide black wooden frame, made from responsibly sourced oak and ash, provides a bold, contemporary profile that complements the minimalist aesthetic of Marden's "Untitled - 1962 N3," wider than classic 14mm frames for added impact.

What is included with this framed art print for installation?

This ready-to-hang framed art print includes a hanging kit, allowing for easy and immediate wall display of your Brice Marden museum-quality reproduction without additional tools.

How durable is the protection for this fine art print?

The print is protected by shatterproof plexiglass, which safeguards the archival paper from damage while maintaining clarity, ensuring your Brice Marden artwork remains pristine over time.

What is the historical significance of Brice Marden's "Untitled - 1962 N3"?

"Untitled - 1962 N3" is a key early work by Brice Marden, showcasing his minimalist approach with monochrome abstraction and wax-oil techniques that influenced post-minimalism, bridging abstract expressionism and conceptual art movements.

How does this reproduction capture the details of Marden's original technique?

This museum-quality print replicates the subtle textures and layered surfaces of Marden's wax and oil mixtures, using high-resolution imaging and archival paper to honor the tactile quality of the original 1962 artwork.