
What makes the paper quality suitable for fine art?
We use 250 gsm (110 lb) natural white paper with a matte, uncoated finish. This archival museum-quality paper is acid-free and thick enough (0.29 mm) to ensure long-term durability and a professional, non-reflective appearance for Jackson Pollock's complex monochromatic works.
How is the Black White Number 20 print framed?
The print is mounted in a 20mm thick black frame made from solid oak or ash. This frame is wider and sturdier than standard 14mm frames, providing a premium, gallery-style aesthetic that is both sophisticated and durable.
Is the artwork protected from damage during shipping?
Yes, we use shatterproof plexiglass to protect the print surface. This material offers the clarity of glass without the risk of breaking during transit, ensuring your Jackson Pollock framed art print arrives in pristine condition.
Is the framed print ready to hang upon arrival?
Absolutely. Every RedKalion framed print comes with a pre-installed hanging kit. The assembly is designed for ease of use, allowing you to elevate your interior design immediately without needing additional hardware.
What is the historical significance of Pollock's 1951 Black Paintings?
This series marked Pollock's transition from his famous 'all-over' color drips to 'Black Pourings.' These works are celebrated for their psychological depth and return to skeletal, figurative elements, reflecting a more somber and introspective period in his career.
Are the materials used in this print sustainable?
Yes, RedKalion prioritizes the environment. We use FSC-certified wood for our oak and ash frames and equivalent sustainable certifications for our archival paper, ensuring your purchase supports responsible forestry practices.
Will the black ink in 'Number 20' fade over time?
Our archival-grade materials and museum-quality paper are designed specifically to resist aging. When kept out of direct prolonged sunlight, the high-pigment reproduction will maintain its stark contrast and deep black tones for decades.