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RedKalion

BRUSHES 1969 - Philip Guston Acrylic Print - 70x100 cm / 28x40″ inches

BRUSHES 1969 - Philip Guston Acrylic Print - 70x100 cm / 28x40″ inches

Regular price $399.99 USD
Regular price $899.99 USD Sale price $399.99 USD
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Elevate Your Space with Philip Guston’s 'Brushes 1969'

Experience a defining moment in modern art history with this museum-quality reproduction of Philip Guston’s Brushes 1969. This piece captures Guston during his most radical transition, moving away from the ethereal clouds of Abstract Expressionism toward the bold, figurative, and self-reflective style that would define his late career. The 'Brushes' motif serves as a poignant meta-commentary on the painter's craft, rendered with the raw intensity and fleshy palette that became Guston’s signature.

Museum-Quality Craftsmanship by RedKalion

At RedKalion, we honor the legacy of iconic artists by utilizing archival-grade materials. This fine art acrylic print is meticulously crafted on 4mm (0.15") acrylic, providing a sleek, glass-like finish that enhances the depth and vibrancy of Guston’s expressive brushwork. The straight-cut corners and high-definition clarity transform this historical artwork into a sophisticated contemporary centerpiece.

Sophisticated Design and Durability

Designed for the discerning collector, this 70x100 cm (28x40") print offers both aesthetic brilliance and structural integrity. The inherent properties of the acrylic material ensure a durable, UV-resistant finish that protects the integrity of the pigments for decades. To ensure a seamless installation, each piece arrives with a professional hanging kit, including hardware and pre-drilled holes at each corner for a secure, floating presentation.

  • Material: 4mm (0.15") premium acrylic for a vibrant, depth-filled finish.
  • Design: Modern straight-cut corners with transparent backgrounds defaulted to white for maximum contrast.
  • Installation: Includes 15mm (0.6") screw heads and hardware; holes are positioned 14mm from the edge.
  • Archival Quality: Engineered to resist yellowing and fading, ensuring a lasting legacy in your collection.
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What makes this Philip Guston print museum-quality?

RedKalion utilizes high-definition printing on 4mm premium acrylic, ensuring the color accuracy and textural detail of the original 1969 masterpiece. Our archival-grade process guarantees a vibrant finish that satisfies the standards of serious art collectors.

How is the 4mm acrylic print constructed?

The artwork is printed directly onto a 4mm (0.15") thick acrylic sheet. This material provides a sleek, modern look with straight-cut corners and a depth that traditional glass frames cannot match, enhancing the visual impact of the art.

What is included in the hanging kit?

Your print includes a full hanging kit with screws and hardware. The acrylic features four pre-drilled holes (8mm diameter) located 14mm from each corner, designed to fit the 15mm screw heads perfectly for a secure mount.

How does RedKalion handle shipping and protection?

We employ rigorous packaging standards to ensure your acrylic print arrives in pristine condition. Each piece is securely buffered and tracked throughout the shipping process, arriving ready to be installed as a permanent fixture in your home or gallery.

Will the colors in 'Brushes 1969' fade over time?

No. Our acrylic prints are inherently UV-resistant and built with archival longevity in mind. The 4mm acrylic shield protects the pigments from environmental degradation, ensuring the artwork remains as vivid as the day it was printed.

Why is 1969 considered a pivotal year for Philip Guston?

1969 marked Guston's controversial return to figurative art. After years of abstraction, he began painting everyday objects—like brushes and hoods—to explore personal and political themes, a move that eventually solidified his status as a Neo-Expressionist pioneer.

What does the 'Brushes' motif signify in this piece?

The 'Brushes' in this 1969 work represent Guston’s self-awareness as a creator. By making the tools of his trade the subject of the painting, he explored the physical act of painting and the psychological weight of the artist's studio.