What is the quality of the paper used for this Van Rysselberghe print?
We use 250 gsm (110 lb) natural white archival paper. This museum-quality, uncoated matte paper is specifically chosen for its thickness (0.29 mm) and its ability to capture the intricate details of Neo-Impressionist brushwork without glare.
Does the frame include mounting hardware?
Yes, your framed art print arrives ready-to-hang. Every order includes a professional hanging kit, allowing you to mount this 70x100 cm masterpiece directly onto your wall immediately upon delivery.
How is the artwork protected during shipping and display?
Each print is encased in a premium black wooden frame and protected by shatterproof, transparent plexiglass. This provides the safety of a durable material with the clarity of glass, ensuring your art arrives and remains in pristine condition.
What makes RedKalion’s reproductions museum-quality?
RedKalion utilizes archival-grade materials, including FSC-certified paper and 20mm wide solid wood frames. Our commitment to high-weight paper (250 gsm) and precise color management ensures a reproduction that honors the artist’s original intent.
Is the paper used for the print sustainable?
Absolutely. We prioritize the environment by using FSC-certified materials or equivalent certifications. This ensures that your fine art print is produced using responsibly sourced wood and paper products.
Who was Théo van Rysselberghe and what was his style?
Théo van Rysselberghe was a Belgian Neo-Impressionist painter known for his mastery of Divisionism (Pointillism). His style involves applying small, distinct dots of color that blend optically in the viewer's eye to create luminosity.
What does the "Cherries" artwork represent in Neo-Impressionism?
In "Cherries," Van Rysselberghe explores the interplay of light and shadow on organic forms. It represents the movement's shift toward scientific color theory, emphasizing how vibrant reds and greens create a heightened sense of reality and volume.