• 1-4 um excentrum IV - 1969 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints
  • 1-4 um excentrum IV - 1969 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints
  • 1-4 um excentrum IV - 1969 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints
  • 1-4 um excentrum IV - 1969 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints
  • 1-4 um excentrum IV - 1969 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints
  • 1-4 um excentrum IV - 1969 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints
  • 1-4 um excentrum IV - 1969 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints
  • 1-4 um excentrum IV - 1969 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints
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RedKalion

1-4 um excentrum IV - 1969 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints

1-4 um excentrum IV - 1969 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints

$399.99 USD
$899.99 USD $399.99 USD
Aanbieding Uitverkocht

Precision and Proportion: Max Bill’s 1-4 um excentrum IV (1969)

Experience the pinnacle of Concrete Art with this museum-quality reproduction of Max Bill’s 1-4 um excentrum IV. Originally composed in 1969, this work exemplifies the Swiss polymath’s dedication to mathematical clarity and geometric harmony. As a former student of the Bauhaus and a leader of the Concrete Art movement, Max Bill transformed abstract concepts into tangible visual experiences. This specific composition explores the rhythmic progression of circles and color, creating a dynamic sense of movement through calculated displacement.

RedKalion elevates this mid-century masterpiece by presenting it on a medium that reflects its industrial and logical roots: Brushed Silver Aluminum DIBOND®. This substrate is not merely a backing; it is an integral part of the aesthetic. The horizontal grain of the brushed silver provides a sophisticated, metallic texture that catches the light, bringing a contemporary edge to Bill’s 1969 vision.

The RedKalion Archival Standard

  • Dynamic Metallic Finish: We utilize direct printing on 3mm (0.12") Aluminum DIBOND®. Any white areas in the original design are left unprinted, allowing the natural silver metallic grain to shine through.
  • Sophisticated Matte Surface: The print features a glare-free, matte finish, making it ideal for spaces with high natural light or professional environments.
  • Durability and Rigidity: The 3mm thickness ensures a lightweight yet exceptionally stable foundation that will not warp over time, preserving the integrity of the Max Bill Aluminum Print.
  • Ready to Display: Each archival print arrives with a specialized hanging kit tailored to your fulfillment region, ensuring a seamless installation.

By choosing a RedKalion fine art print, you are investing in a piece of art history. Our commitment to archival-grade materials ensures that the vibrant colors and precise lines of Max Bill’s work remain a focal point of your collection for decades to come.

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Discover Unlimited Art Possibilities

At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.

If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.

For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.

For custom requests, contact us at support@redkalion.com .

What makes the Max Bill Brushed Aluminum Print unique?

Our Max Bill Prints utilize brushed silver Aluminum DIBOND®, where unprinted white areas reveal a metallic grain. This creates a dynamic, industrial look that perfectly complements the mathematical precision of Max Bill’s Concrete Art aesthetic.

What are the physical specifications of this fine art print?

The print is 3mm (0.12") thick, featuring a matte, glare-free finish. The direct-to-aluminum printing process ensures vivid colors and a durable, rigid base that resists warping over time.

Is the mounting hardware included with the 70x100 cm print?

Yes, every RedKalion museum-quality reproduction includes a hanging kit. The specific type of hardware varies by the fulfillment country to ensure the most secure mounting for your region.

How does RedKalion ensure the archival longevity of the artwork?

We use high-grade Aluminum DIBOND® and premium inks designed for longevity. The matte finish protects the work from glare and environmental factors, maintaining the visual integrity of the Max Bill Aluminum Print for years.

What is the shipping process for large-format aluminum prints?

We employ a global fulfillment network to ship your artwork securely. Each piece is packaged in protective materials specifically designed for 70x100 cm formats to prevent any damage during transit.

What is the significance of '1-4 um excentrum IV' in Max Bill’s career?

Produced in 1969, this piece is part of Bill's 'excentric' series. It demonstrates his 'Concrete' philosophy, where art is built from its own internal logic and mathematical progression rather than mimicking nature.

Why is aluminum an ideal substrate for Max Bill’s Concrete Art?

Aluminum reflects the Bauhaus and Concrete Art emphasis on industrial materials and objective beauty. The brushed silver finish enhances the geometric lines, making the mathematical structure of the artwork feel contemporary and architectural.