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RedKalion

Abstraction N2 - Sam Gilliam 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

Abstraction N2 - Sam Gilliam 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

Normale prijs $449.99 USD
Normale prijs $999.99 USD Aanbiedingsprijs $449.99 USD
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Elevate Your Space with Sam Gilliam’s Abstraction N2

Experience the profound energy of the Washington Color School with this museum-quality reproduction of Abstraction N2 by Sam Gilliam. As a pioneer of lyrical abstraction, Gilliam transformed the landscape of post-war American art by treating paint as a tactile, architectural element. This 70x100 cm (28x40 inches) framed art print captures the intricate textures and improvisational color layering that define Gilliam's legacy, offering a sophisticated focal point for the modern interior.

The Artistry of Sam Gilliam

Sam Gilliam is celebrated for his revolutionary 'drape' paintings, yet his structured abstractions like Abstraction N2 reveal his mastery over the canvas. His technique involved folding, soaking, and staining the fabric, creating a rhythmic depth that challenges the flat nature of traditional painting. This print honors those nuanced tonal shifts, allowing the viewer to appreciate the historical significance of an artist who pushed the boundaries of Abstract Expressionism.

Museum-Grade Materials and Craftsmanship

At RedKalion, we curate archival masterpieces that endure for generations. This premium print is rendered on 250 gsm (110 lb) natural white museum-quality paper. The matte, uncoated finish ensures an authentic fine art feel without distracting glares. Each piece is meticulously housed in a 20mm (0.79") thick black wooden frame, crafted from responsibly sourced oak and ash. This sturdier profile provides a more commanding presence on your wall compared to standard, thinner frames.

  • Archival Longevity: Acid-free paper ensures the vibrant pigments remain true over time.
  • Premium Protection: Shatterproof plexiglass shields the artwork while maintaining crystal-clear visibility.
  • Sustainability: We utilize FSC-certified materials, reflecting a commitment to both art and the environment.
  • Exhibition Ready: Your framed art print arrives with a pre-installed hanging kit, ready to hang directly on the wall.
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What defines the quality of the paper used for this Sam Gilliam print?

We use 250 gsm (110 lb) archival museum-quality paper. This heavy-weight, natural white, matte paper is acid-free and uncoated, ensuring the fine art reproduction remains vibrant and resists yellowing for decades.

How is the frame constructed for this 70x100 cm art print?

The print is housed in a premium black frame made from responsibly sourced oak or ash. At 20mm (0.79") thick and wide, it offers a more robust, gallery-style aesthetic than standard 14mm frames.

Is the artwork protected against environmental damage?

Yes, each framed print features shatterproof plexiglass. This provides superior protection against dust and impact while offering the clarity of traditional glass without the risk of breakage during shipping or display.

How does RedKalion ensure the sustainability of its art prints?

RedKalion is committed to ethical curation. We use FSC-certified wood and paper (or equivalent local certifications), ensuring that your investment in fine art supports responsible forest management and environmental sustainability.

Does the framed print arrive ready for immediate display?

Absolutely. Your Sam Gilliam reproduction arrives fully assembled in its black wooden frame with a hanging kit included. It is designed to be ready to hang directly on your wall upon arrival.

What is the significance of Sam Gilliam’s Abstraction N2 in art history?

Abstraction N2 reflects Gilliam's evolution within the Washington Color School. It demonstrates his shift toward tactile, layered surfaces that bridged the gap between painting and sculpture, influencing generations of abstract artists.

How does Gilliam’s style differ from other abstract expressionists?

Unlike many peers, Gilliam emphasized the physical properties of the canvas. By folding and staining, he introduced a rhythmic, improvisational quality that moved beyond the rigid 'flatness' of traditional Color Field painting.