• BERWEEN ST PETER AND SISTINE CHAPEL MARCH 1936 1936 - MC Escher 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame | Maurits Cornelis Escher Prints
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RedKalion

BERWEEN ST PETER AND SISTINE CHAPEL MARCH 1936 1936 - MC Escher 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame | Maurits Cornelis Escher Prints

BERWEEN ST PETER AND SISTINE CHAPEL MARCH 1936 1936 - MC Escher 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame | Maurits Cornelis Escher Prints

$449.99 USD
$999.99 USD $449.99 USD
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Elevate Your Space with M.C. Escher’s Architectural Masterpiece

Step into the architectural grandeur of Vatican City through the meticulous eyes of Maurits Cornelis Escher. His 1936 lithograph, Between St. Peter's and the Sistine Chapel, captures a rare moment of structural harmony and dramatic perspective. Created during a pivotal era before his transition into impossible geometries, this work showcases Escher's profound ability to translate the monumentality of stone and the ethereal quality of Roman light into a static, yet breathing, composition.

A Museum-Quality Reproduction for the Discerning Collector

At RedKalion, we believe fine art deserves a presentation that matches its historical significance. This museum-quality print is rendered on 250 gsm (110 lb) archival paper, featuring a matte, uncoated, natural white finish. This choice of substrate ensures that the deep contrasts and intricate linework—hallmarks of Escher’s style—remain vibrant and true to the original 1936 aesthetic without the distraction of glare.

Sophisticated Framing and Sustainable Craftsmanship

Every detail of this M.C. Escher print is designed for longevity and elegance. The artwork is housed in a premium 20mm (0.79") black frame, meticulously crafted from responsibly sourced oak and ash wood. Unlike standard thin frames, our 20mm profile provides a substantial, gallery-grade presence on your wall. The piece is protected by shatterproof plexiglass, ensuring your investment remains pristine for generations.

  • Artist: Maurits Cornelis Escher (M.C. Escher)
  • Paper Weight: 250 gsm / 110 lb (Archival Grade)
  • Frame Material: FSC-certified solid oak/ash with a 20mm profile
  • Ready-to-Hang: Includes a professional hanging kit for immediate installation
  • Archival Integrity: Natural white, acid-free paper to prevent yellowing over time

By choosing RedKalion, you are not merely purchasing a decoration; you are acquiring a curated piece of art history. This framed reproduction serves as a timeless focal point, inviting contemplation and bringing the sophisticated atmosphere of the Italian Renaissance into the modern home.

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What are the technical specifications of the paper used for this Escher print?

We use 250 gsm (110 lb) museum-quality paper. It is a natural white, matte, and uncoated archival paper that ensures long-term durability and prevents glare, making it ideal for the high-contrast details of M.C. Escher’s work.

Is the frame made of real wood?

Yes, the frame is crafted from responsibly sourced, FSC-certified oak and ash wood. It features a sophisticated 20mm (0.79") thickness and width, providing a sturdier and more premium appearance than standard gallery frames.

How is the artwork protected from damage?

Each print is shielded by high-quality, shatterproof plexiglass. This provides the clarity of glass while offering superior protection and safety during shipping and display in your home.

Does the framed print arrive ready to hang?

Absolutely. Every framed art print from RedKalion includes a professional hanging kit. Your artwork arrives fully assembled and ready to be displayed on your wall immediately upon arrival.

What makes this an archival-grade reproduction?

Our prints use acid-free, FSC-certified materials that meet museum standards. The 250 gsm paper and archival inks ensure the artwork will not yellow or fade, maintaining its aesthetic value for decades.

What inspired Escher to create "Between St. Peter and the Sistine Chapel" in 1936?

This piece reflects Escher’s fascination with Roman architecture and perspective. Created in March 1936, it highlights his mastery of light and shadow within the narrow, monumental corridors of the Vatican, just before his shift toward surreal mathematical art.

Is the perspective in this Escher piece historically accurate?

While Escher was known for his later "impossible" perspectives, this 1936 work is a testament to his skill in realistic architectural rendering. It accurately depicts the spatial relationship between the two iconic structures while emphasizing dramatic verticality.