
What are the physical specifications of the Circle - 1971 print?
The print is crafted from 4mm (0.15") high-quality acrylic with straight-cut corners. It includes a specialized hanging kit with screws. Holes are pre-drilled 14mm (0.55") from the edges, featuring an 8mm (0.31") diameter to accommodate the 15mm (0.6") screw heads.
How is the archival longevity of RedKalion acrylic prints ensured?
We use premium, UV-resistant acrylic and archival inks that prevent fading over time. This museum-quality reproduction is designed to maintain its color vibrancy and structural integrity for decades, making it a sustainable choice for fine art collectors.
Is the mounting hardware included with the purchase?
Yes, each Jiro Yoshihara acrylic print comes with a comprehensive hanging kit. This includes the necessary hardware and screws to securely mount the piece through the pre-drilled corner holes, providing a sleek, professional display right out of the box.
What is the shipping process for large-format acrylic prints?
At RedKalion, we prioritize the safety of your art. Each 70x100 cm print is meticulously packaged in protective layers and rigid containers to ensure it arrives in pristine condition. All shipments are fully insured and tracked for your peace of mind.
Does the acrylic material affect the appearance of the colors?
The 4mm acrylic enhances the artwork by adding depth and brilliance. It allows light to interact with the pigments in a way that creates a more vibrant, luminous effect compared to traditional paper prints, perfectly capturing Yoshihara's minimalist palette.
Who was Jiro Yoshihara and why is this circle significant?
Jiro Yoshihara was the founder of the Gutai movement. The circle, or Enso, became his signature motif in his later years, representing infinity, the void, and the ultimate expression of the self within the Japanese avant-garde tradition.
What was the Gutai movement's influence on this 1971 work?
The Gutai movement emphasized the relationship between the spirit and the material. By 1971, Yoshihara’s work distilled this philosophy into a singular, powerful gesture, focusing on the purity of form and the physical act of creation without artifice.